
When designing sound for animation, especially when you have some latitude in interpreting the visuals against your fully designed soundscape, there can be a tendency on trying to match up everything you see on screen with a direct sonic match.…
When designing sound for animation, especially when you have some latitude in interpreting the visuals against your fully designed soundscape, there can be a tendency on trying to match up everything you see on screen with a direct sonic match.…
Review of Meike Uhrig (ed.). Emotion in Animated Films. New York/London: Routledge, 2018. Emotion in Animated Films explores the rich territory of emotions and their representation within animated films, particularly with a view on emotions as represented within computer animation. Books…