The animation film Lesbian Space Princess (2025, Hobbs & Varghese) is a radical counter-utopian experiment in animated worldbuilding. It utilizes animation’s capacity to re:imagine and re:configure without an indexical link[1] to construct a homonormative society while avoiding the trap of…
Animation and Agency
From meat machines to airplanes — posthuman approaches to agency in Chicken Run (2000)
by Virág Vécsey • December 1, 2025 • 0 Comments

One of the characteristics of animation is that it offers the illusion of life, in which passive materials are transformed into living entities with agency of their own. A range of animated films from Bambi (Hand, 1942) to The Jungle…
Book Review
Review: Cartoon Vision: UPA Animation and Postwar Aesthetics (2019) by Dan Bashara
by Kate Renner • November 27, 2025 • 0 Comments

The idea that midcentury modern design is the foundation of the aesthetic style prevalent in films produced by United Productions of America (UPA) studio is not a novel concept. Several books explore the connection between UPA films and other design…
Animation and Agency
Levels of agency in idle animations: mapping (in)activity in video games
by Maria Pagès • November 25, 2025 • 0 Comments

In one of the most iconic idle animations, if the player does not interact with Sonic the Hedgehog (Sega, 1991), he will tap his foot and look annoyed at the player expecting to move (see Fig. 1). When the player releases…
Animation and Agency
Reflections on the uses of materials and technology in the Royal College of Art Animation archive
by Carla MacKinnon • November 21, 2025 • 0 Comments

This post looks at examples of work from the Royal College of Art’s (thereafter RCA) animation archive, to highlight ways in which distributed agency has been embraced in the production of experimental student films and suggest links between these approaches…
Animation and Agency
Picturing Security: exploring democracy and agency through drawing and animation
by Benjamin Hall • November 13, 2025 • 0 Comments

This text presents the 2023/24 research project Picturing Security, which was funded by the Independent Social Research Foundation (ISRF) to explore experiences of security, risk and threat using collaborative arts practice as a tool for conversation. What follows are reflections…
Animation and Agency
The Song of the Sky and the Breath of Stones in Baigal Nuur – Lake Baikal (2023)
by Alisi Telengut • November 10, 2025 • 0 Comments

This short text is a continuation of the reflections developed in my doctoral research, which presents an artistic research inquiry into how animation under the camera (a form of stop-motion animation) not only acknowledges the materials of animation as co-creators…
Animation and Agency
Editorial: Animation and Agency
by Julia Eckel, Maike Sarah Reinerth, Vera Schamal • November 6, 2025 • 0 Comments

Over the past thirty years, the concept of agency as the ability and power to act has sparked engaging discussions across fields like Gender Studies, Science and Technology Studies, Philosophy, and Media Studies, offering unique insights for animation research. Agency…
Animation and Learning
Hyperteaching the Hyperstudent in Higher Educational Animation Programs
by Samuel Regan-Edwards • November 4, 2025 • 0 Comments

This text is about the animation of Higher Education learning, and the learning of animation in Higher Education. I have been pulled into writing the text by footnote 21 of renowned animation theorist and ‘poststructuralist’ thinker Alan Cholodenko’s “Computer Says…
Book Review
Review: Animated Film and Disability: Cripping Spectatorship (2022)
by Sanny Schulte • October 31, 2025 • 0 Comments

GREENBERG, SLAVA. Animated Film and Disability: Cripping Spectatorship. Indiana University Press, 2022. https://doi.org/10.2307/j.ctv3142v9x. Image description: The book cover is mostly white with a black, scribbled spiral dominating the center of the cover. A red-haired drawn figure, wearing brown slippers, a light-purple…