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Festivals, Awards and Animation

Star Wars? Animated Characters at the Academy Awards

by Christopher Holliday • March 29, 2021 • 0 Comments

Held at the Kodak Theatre in Los Angeles on the evening of March 24, 2002, the 74th Academy Awards heralded an important moment in the visibility of Hollywood animation. On the one hand, the ceremony marked the inaugural appearance of…

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Genesis of New Animated Works, Independent animation

Unpacking Urbanality (2019)

by Evan McInnes • March 22, 2021 • 0 Comments

Long has the iconography of the “Hand of the Artist” been used as a storytelling motif in animation, emerging in the early 20th century from roots in vaudevillian ‘lightning sketches’ such as James Stuart Blackton’s The Enchanted Drawing (1900). A magical brush,…

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European Animation, Independent animation

Modalities of Independent Animation in State-Socialist Countries for the Example of Poland

by Ewa Ciszewska • March 8, 2021 • 0 Comments

State sponsorship of cinema was a precondition for the functioning of the Polish animation market before 1989. Between 1947 and 1989, Polish animation studios thrived on a steady flow of commissions and state-backed financial guarantees securing their productions. Taking into…

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Independent animation

The Fabulous Adventures of Mystimation

by Emmett Redding • February 22, 2021 • 1 Comment

Little is known about Czech director Karel Zeman—his works are still largely unavailable in the West—yet his animation techniques combining stop motion, hand-drawn and cut-out animation with various optical special effects, dubbed ‘Mystimation’, are a stated influence by film directors…

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Independent animation

Hand Drawn and Non-Natural Colour in Films by Barbara Hammer and Sandra Lahire

by Vicky Smith • February 15, 2021 • 0 Comments

In this post, I will consider how independently produced animations have contributed to the development of this medium today through films by Sandra Lahire (1950-2001) and Barbara Hammer (1939-2019). During the 1980s, both worked with animation in its widest sense,…

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Exhibition review

The Lonesome Master: A Review of the “Ray Harryhausen: A Titan of Cinema” Exhibition

by P. M. Cicchetti • February 8, 2021 • 0 Comments

November in Edinburgh: if ever there was a season to nestle and perchance to (day)dream, this would be it. Outside the entrance of the National Gallery of Modern Art, standing in a socially-distanced line, I wait for my turn to…

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Acting and Performance, Animation and Stardom, Sound and Music

How voice makes a villain: Fiennes and the Moon King

by Reece Goodall • January 25, 2021 • 1 Comment

The film Kubo and the Two Strings (2017) marks Fiennes’ third animated appearance as a villain, and I think it is here that his animated star image is consolidated – Fiennes’ voice denotes concerns of class, and his characters belong…

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Acting and Performance, Animation and Stardom, Sound and Music

Accent, inflection and Lord Victor Quartermaine

by Reece Goodall • January 18, 2021 • 0 Comments

In this post, I want to move on from the simple evocation of a celebrity’s past roles to focus on the ‘vocal’ aspect of celebrity vocal stardom. Fiennes’ next animated villain, Lord Victor Quartermaine, would appear in 2005’s Wallace and…

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Acting and Performance, Animation and Stardom, Sound and Music

Contextualizing Rameses in the stardom of Ralph Fiennes

by Reece Goodall • January 11, 2021 • 0 Comments

It is certainly true that celebrity voice actors evoke their other roles through vocal performances and, by drawing on this wider intertext, a familiar voice helps to deepen our understanding of a character. My conception of celebrity vocal stardom necessarily…

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Acting and Performance, Animation and Stardom, Sound and Music

Re-Evaluating Celebrity Vocal Stardom Through the Animated Villains of Ralph Fiennes

by Reece Goodall • January 4, 2021 • 0 Comments

Voice performances are technically eligible for nomination in the acting categories at the Academy Awards, but they have never been recognised. The founding of the SOVAS Voice Art Awards in 2013 was designed to rectify this because, as its chief…

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