Most people think of each classic commercial American animation studios as having their own distinctive sonic style. Warner Brothers had the postmodern, action-driven sound developed by Carl Stalling. MGM had the classically trained Scott Bradley pumping out modern, occasionally atonal…
Wednesday 12th and Thursday 13th June, Derek Jarman Lab The 2019 Essay Film Form and Animation: Intersectionality in Motion conference held in London last June was well attended. The conference was supported by the Arts University Bournemouth, the Society for…
Forty years after the release of The Muppet Movie (dir. James Frawley) in June 1979, it seems fitting to celebrate the lasting contribution of Jim Henson to puppet animation by considering the Muppet Babies: Play Date shorts on YouTube in…
Review of Daisy Yan Du. Animated Encounters: Transnational Movements of Chinese Animation 1940s-1970s. University of Hawai’i Press, 2019. Daisy Yan Du’s excellent Animated Encounters: Transnational Movements of Chinese Animation 1940s-1970s is essential reading for anyone interested in Chinese or Japanese…
Jim Henson’s 1986 production Labyrinth holds a special place in the Henson canon (as well as in the hearts of many children of the 1980s). Its inception came after one of the first critical misfires of Henson’s film career, the…
After the end of World War II, in all the nations where television had a swift boom, puppets largely invaded the small screen to satisfy an increasingly younger audience eager for fantasy and adventure. While in the 1960s, live action…
Review of Masao Yokota and Tze-yue G. Hu (eds.). Japanese Animation: East Asian Perspectives. Jackson: University Press of Mississippi, 2013. This book was put together by a prominent clinical psychologist with a long experience in the psychological dimensions of animation…
I must correct a mistake that I made and widespread. On the 1996 Spring issue of Animation Journal I published an essay entitled The Italians Who Invented the Drawn-On-Film Technique. The brothers Bruno and Arnaldo Ginanni Corradini, from Ravenna, had…
The origins and development of the animated voice of cartoons provide a compelling way to understand the conflation of animals with the animated language. The animal body and the human body become intertwined through anthropomorphic cartoon body. The body of…
Until now the research on race and ethnicity in animated films and cartoons has mainly taken one of two directions: critiquing racist and ethnocentric characters and stories, and calling for increased diversity, especially in children’s animated media. There have been…
