Long has the iconography of the “Hand of the Artist” been used as a storytelling motif in animation, emerging in the early 20th century from roots in vaudevillian ‘lightning sketches’ such as James Stuart Blackton’s The Enchanted Drawing (1900). A magical brush,…
Genesis of New Animated Works
“Nobody’s Metaphor”: A Decolonial Film of Voices, Swords, and Brushstrokes
by Anna Sowa • September 7, 2020 • 0 Comments
In the short documentary, Nobody’s Metaphor (2019), Chouette Films worked with Maslaha to capture the unfolding stories of a group of Muslim girls and young women of color who try out fencing and poetry workshops after school. These workshops, run…
Working with Archival Sources: The Interactive Animated Artworks “Flora” (2018), “Shabamanetica” (2017), and “A man, a plan, a canal, Panama!” (2018)
by Eric Dyer • March 23, 2020 • 0 Comments
In this post, I describe some of my interactive animated artworks that incorporate archival sources. In particular, I focus on three titles: Flora (2018)–which is on view at the Museum of Photographic Arts (San Diego, CA) in the exhibition Illusion:…
Crystal Clear: From Music to Animation
by Rosalie Loncin • September 23, 2019 • 0 Comments
Animation always had close links with sound and music. Synchronism provides a means of rich formal experimentations. It is particularly striking in the field of the music video where the progression of the music itself often determines the progression, the…
Life: The Universe and Everything
by Eagle Gamma • June 28, 2017 • 2 Comments
Life is a new series of science fiction animations that, by means of 3D images and psytrance electronic music, creates a new world of technology and imagination. Incorporating ideas from the hard and social sciences – such as astrophysics, constructal physics,…