One of the most durable images that recurs throughout critical histories of Classical Hollywood is the studio system’s evocation of factory principles of corporate standardization. Writing in 1927, William A. Johnston argued that “from manufacturer to consumer it [cinema] functions…
Animation and seriality
The Bitter Seriality of Don Hertzfeldt’s It’s Such a Beautiful Day
by Josette Wolthuis • September 25, 2017 • 1 Comment
It is now five years since animation artist Don Hertzfeldt released his tragicomedy feature It’s Such a Beautiful Day (2012), which brings together his three short films Everything Will Be OK (2006), I Am So Proud of You (2008) and the 2011…
Anicom Seriality: BoJack Horseman and the Post-Broadcast Era
by Liam Rogers • September 18, 2017 • 0 Comments
Netflix’s BoJack Horseman is many things: an amazing cartoon world where humans and anthropomorphic animals live in cohabitation; a pun-filled comedy that satirizes Hollywood culture; a sobering exploration of nihilism and depression. However, what distinguishes it from traditional animated sitcoms…
This Is Me Now: Queer Time and Animated Childhood
by Katie Barnett • September 11, 2017 • 3 Comments
Animated sitcoms have a complex relationship with time. These are worlds where a character can remain 10 years old from 1989 to nowadays (as is the case for Bart Simpson in The Simpsons), a pregnancy can last seven television seasons…