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Book Review

Review: Cartoon Vision: UPA Animation and Postwar Aesthetics (2019) by Dan Bashara

by Kate Renner • November 27, 2025 • 0 Comments

A black cover with cartoon characters driving colourful cars with the title of Cartoon Vision at the top of the composition.

The idea that midcentury modern design is the foundation of the aesthetic style prevalent in films produced by United Productions of America (UPA) studio is not a novel concept. Several books explore the connection between UPA films and other design…

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Animation and Agency

Levels of agency in idle animations: mapping (in)activity in video games

by Maria Pagès • November 25, 2025 • 0 Comments

In one of the most iconic idle animations, if the player does not interact with Sonic the Hedgehog (Sega, 1991), he will tap his foot and look annoyed at the player expecting to move (see Fig. 1). When the player releases…

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Animation and Agency

Reflections on the uses of materials and technology in the Royal Collage of Art Animation archive

by Carla MacKinnon • November 21, 2025 • 0 Comments

This post looks at examples of work from the Royal College of Art’s (thereafter RCA) animation archive, to highlight ways in which distributed agency has been embraced in the production of experimental student films and suggest links between these approaches…

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Animation and Agency

Picturing Security: exploring democracy and agency through drawing and animation

by Benjamin Hall • November 13, 2025 • 0 Comments

This text presents the 2023/24 research project Picturing Security, which was funded by the Independent Social Research Foundation (ISRF) to explore experiences of security, risk and threat using collaborative arts practice as a tool for conversation. What follows are reflections…

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Animation and Agency

The Song of the Sky and the Breath of Stones in Baigal Nuur – Lake Baikal (2023)

by Alisi Telengut • November 10, 2025 • 0 Comments

This short text is a continuation of the reflections developed in my doctoral research, which presents an artistic research inquiry into how animation under the camera (a form of stop-motion animation) not only acknowledges the materials of animation as co-creators…

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Animation and Agency

Editorial: Animation and Agency

by Julia Eckel, Maike Sarah Reinerth, Vera Schamal • November 6, 2025 • 0 Comments

Over the past thirty years, the concept of agency as the ability and power to act has sparked engaging discussions across fields like Gender Studies, Science and Technology Studies, Philosophy, and Media Studies, offering unique insights for animation research. Agency…

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Animation and Learning

Hyperteaching the Hyperstudent in Higher Educational Animation Programs

by Samuel Regan-Edwards • November 4, 2025 • 0 Comments

This text is about the animation of Higher Education learning, and the learning of animation in Higher Education. I have been pulled into writing the text by footnote 21 of renowned animation theorist and ‘poststructuralist’ thinker Alan Cholodenko’s “Computer Says…

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Book Review

Review: Animated Film and Disability: Cripping Spectatorship (2022)

by Sanny Schulte • October 31, 2025 • 0 Comments

The book cover is mostly white with a black, scribbled spiral dominating the center of the cover. A red-haired drawn figure, wearing brown slippers, a light-purple dress, and a green coat, seems to be falling backwards into the spiral, a still from one of the case studies discussed in the book (My Depression by Elizabeth Swados, 2014). In the upper right corner, the author’s name, Slava Greenberg, is written in green. The title, Animated Film and Disability, is centered at the bottom and written in the same green. The subtitle, Cripping Spectatorship, appears below in orange.

GREENBERG, SLAVA. Animated Film and Disability: Cripping Spectatorship. Indiana University Press, 2022. https://doi.org/10.2307/j.ctv3142v9x. Image description: The book cover is mostly white with a black, scribbled spiral dominating the center of the cover. A red-haired drawn figure, wearing brown slippers, a light-purple…

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Animation and Learning

Sky David’s Kinesthetic Pedagogy of Animation

by Lynn Tomlinson • October 28, 2025 • 2 Comments

This is a media-archaeological excavation of the unique animation teaching methods of artist Sky David, formerly known as Dennis Pies, who has spent his life combining art and science, working with movement, subjectivity, tactility, and animacy—an interdisciplinary practice in the…

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Animation and Learning

Generating confidence to accelerate the learning of animation technology

by Gray Hodgkinson • October 21, 2025 • 0 Comments

Figure 1. Student 1 image from lighting workshop, ADM, NTU 2024. When teachers and academics apply student-centred strategies for teaching, one of the most sought-after outcomes is to boost student confidence. The student-centred approach is designed to emphasise self-thinking and…

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