animationstudies 2.0

Main menu

  • About
    • Submission and Publication Guidelines
  • Upcoming Themes
  • Permanent Call for Posts
  • Book reviews
  • Guidelines
  • Submit your work

Animation and Surrealism

Surrealism, Memory, and Resistance in Soviet Animation

by Jodi Kolpakov • April 22, 2025 • 0 Comments

still from Tale of Tales

Figure 1. A still from Norstein’s The Tale of Tales, where women dancing with their husbands all the sudden appear alone. Animation, a powerful storytelling medium, has been breaking down complex ideas in a visually engaging way for over a…

Read more →

Book Review

Review of The Intersection of Animation, Video Games, and Music: Making Movement Sing

by María ilia Katsaridou • April 15, 2025 • 1 Comment

In The Intersection of Animation, Video Games, and Music: Making Movement Sing, editors Lisa Scoggin and Dana Plank gather fourteen chapters that examine how music operates across animated forms and interactive worlds. With a nod toward both classic and contemporary…

Read more →

Animation and Surrealism

Dimensions of Dialogue: The Carnivorous Appetite of Surrealist Animation

by Srijita Banerjee • April 8, 2025 • 0 Comments

Dimensions of Dialogue (1983) begins with two faces shaped out of random accoutrements such as decaying fruits and vegetables, kitchen equipment and utensils etc. The two faces move towards each other and clash in a haphazard mishmash of objects—face shapes…

Read more →

Animation and Surrealism, Standalone Posts

Time for Bed: The Dreamlike world of Dougal and the Blue Cat (1970)

by Cormac O'Kane • March 26, 2025 • 0 Comments

Dougal and the Blue Cat is the 1970 animated film by Serge Danot that features a mysterious voice and a cat named Buxton that plot to take over the world and turn it blue. The animated film is based on…

Read more →

Standalone Posts

Wallace and Gromit and the case for Claymation in a world of AI

by Reece Goodall • March 4, 2025 • 0 Comments

The silent penguin Feathers McGraw has become one of the most famous British animated villains thanks to Aardman’s distinct Claymation style. First introduced in The Wrong Trousers (Park, 1993), McGraw now returns more than 20 years later in Wallace and…

Read more →

Transnational Animation

The Outsourcing of Traditional Animation in Spain

by Maria Pagès • February 25, 2025 • 0 Comments

In general, the outsourcing of animation production leverages cost-effectiveness and specialized expertise. However, before the subcontracting of animation to Eastern Europe and Asia became a common practice, the outsourcing of Spanish animation was a cheap way for other countries such…

Read more →

Transnational Animation

Marketing The Princess and the Goblin: Transnational Animation and Failure During the Disney Renaissance

by Mark Barber • February 18, 2025 • 0 Comments

Unsurprisingly, József Gémes’ The Princess and the Goblin (1991), an animated co-production between Hungary, Wales, and Japan, appears to be a forgotten film. Produced and circulated during the Disney renaissance of the late 1980s and early 1990s, its comparative obscurity…

Read more →

Transnational Animation

A Transnational Appropriation: Thinking about G.O.R.A.’s Visual Effects

by Zeynep Aras • February 11, 2025 • 0 Comments

Like many filmmaking practices outside Hollywood, Turkish cinema lacks a popular sci-fi genre. The main reasons for this are insufficient governmental or private funding and a competent labor force – all essential for producing the visual effects that lie at…

Read more →

Book Review

Review: Image Objects: An Archaeology of Computer Graphics (2021), by Jacob Gaboury

by Gina Moore • February 7, 2025 • 0 Comments

Figure 1. Render of Houdini scene featuring the Utah teapot which is available as an “off-the-shelf” object in most contemporary 3D software packages. 2024 Gina Moore. Found in various industries including film, advertising, games, and visualisation, computer graphics (CG) are…

Read more →

Transnational Animation

Forms of Transnational Exchange between Canadian and (Post-)Yugoslav Animation Cultures

by Dragan Batancev • February 4, 2025 • 0 Comments

Still from the Yugo-Canadian co-production Man: The Polluter

In his report from the 1964 Annecy Festival, the third edition of the oldest international animation festival, Derek Hill lamented the poor global selection but nevertheless concluded that the governments of Canada and Yugoslavia remained “the two most enlightened cartoon…

Read more →

Page 3 of 48
« 1 2 3 4 5 … 48 »

Previous themes

Header shows still from "On Our Way" by Ruth Hayes, with Artists permission".

Copyright © 2025 animationstudies 2.0. All Rights Reserved. Gridiculous created by c.bavota.