“Critical utopias are not blueprints for ideal societies, but expressions of aspiration for human fulfillment towards which our political practices should always be directed.” — Ashlie Lancaster, Instantiating Critical Utopia Introduction. This post considers the cultural work taken up in…
SAS 2020
Story Prospecting: The Value of Outdoor Field Research in Animation Pedagogy
by Matthew Gidney and Jack McGrath • June 27, 2020 • 0 Comments
In 2015 and again in 2017 we brought a small class of undergraduate animation students from the University of Technology Sydney on camping expeditions into the Sydney hinterland to seek out evidence and inspiration for animation in abandoned settlements of…
British Animation Women and the Myth of Meritocracy
by Sarah Ann Kennedy-Parr • June 25, 2020 • 0 Comments
Recently I produced and directed a documentary about women working in the animation industry which highlighted the lack of women in key creative roles. The documentary, entitled British Animation Women Breaking the Mold, was broadcast on Sky Showcase Channel 192…
Repetition, Flicker, and Sound in the Films of Paul Sharits
by Dirk de Bruyn • June 24, 2020 • 1 Comment
Paul Sharits (1943-1993) was an American film artist, a proponent of what Peter Gidal, P. Adams Sitney, and Anette Michelson referred to as “structural film” (Sitney 2002, 348). This 1960s avant-garde film movement foregrounded a film structure ahead of its…
Harry Smith’s “Early Abstractions”: De-Abstracting the Film Strip as the Object of Collection in Process Animation
by Srijita Banerjee • June 22, 2020 • 1 Comment
“We shall count as real what we can use to intervene in the world to affect something else, or what the world can use to affect us.” – Ian Hacking, Representing and Intervening: Introductory Topics in the Philosophy of Natural…