The sensation of pain is invisible (Munday et al., 2020). It is private, shifting, and impossible to pin down. So, how do we communicate something so visceral and elusive? The answer seems to lie in metaphor. According to Conceptual Metaphor…
This article examines the first installment in Nick Park’s Wallace & Gromit series A Grand Day Out (1989) through the lenses of the oneiric and the Dionysian. While scholarship on Aardman Animations tends to emphasize its stop-motion materiality and British eccentricity, less attention has…
Dougal and the Blue Cat is the 1970 animated film by Serge Danot that features a mysterious voice and a cat named Buxton that plot to take over the world and turn it blue. The animated film is based on…
The silent penguin Feathers McGraw has become one of the most famous British animated villains thanks to Aardman’s distinct Claymation style. First introduced in The Wrong Trousers (Park, 1993), McGraw now returns more than 20 years later in Wallace and…
This contribution is the second post of a two-part series on the creative production of Wing Yan Kwan and Lam Le’s Coffin Room (2024). Confined in a small apartment, cramped with a tiny bunk bed, old furniture, canned foods, and…
This contribution is the first post of a two-part series on the creative production of Wing Yan Kwan and Lam Le’s Coffin Room (2024). The methods that creators use to communicate complex social issues evolve together with the development of…
Isao Takahata’s The Tale of the Princess Kaguya (2013) stands as the final masterpiece of one of Studio Ghibli’s founding fathers. Expanding upon the historic Japanese fairy tale Taketori Monogatari, it offers a poignant reflection on the impermanence of joy…
Accountability and responsibility must be thought of in terms of what matters and what is excluded from mattering. (Barad, 2007: 220) This is a ghost story about a poltergeist that haunted me through the winter of 2023-2024 on my Vimeo…
According to theater director Peter Brooks, a play becomes holy when it reveals the invisible, reflecting the elements of the world that escape our senses. (Brook 1968, 49) Unlike traditional narrative theater, the holy employs incantations, primal screams, and cyclopean…
Giannalberto Bendazzi was uniquely capable of being both entirely approachable and formidable at the same time. Speaking to colleagues as I prepared this text, the daunting email subject “why don’t you write a book on x,” was frequently mentioned. As…
