
To dance is to be free. To animate is to breath. The Latin root for animation, anima, is to breath in and bring to life[1]. The animator’s goal is to bring their imagined characters to life through the creation of…
To dance is to be free. To animate is to breath. The Latin root for animation, anima, is to breath in and bring to life[1]. The animator’s goal is to bring their imagined characters to life through the creation of…
In the darkness, a skeleton emerges on the screen and then jolts into a series of poses, lifting a leg, arms thrown out to one side, squatting, and popping off its head in both bony hands. The skeleton is dancing.…
I will consider pixilation as a form of dance in which the movements that are produced are wholly specific to animation, thereby making the study of this method fruitful for Animation Studies. In pixilation, single film frames are synchronised with…
The artist, animator, and educator Jules Engel is perhaps best known for his work as an Art Director at the beloved United Productions of America (UPA), or maybe later for his role as the first director of the Experimental Animation…
Dance sequences appear in a significant amount of Fleischer Studios cartoons throughout the 1920s and 1930s. These sequences presented the audience with an aesthetic sense of realism and an increased illusion of a third dimension, even though Fleischer’s cartoons were…