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Every few days for the past several weeks, when checking my email, an uncanny reading suggestion from Academia.edu appears in my inbox. Based on my “Reading History,” I might be interested in an article titled “Drawing a Motion on Death”…
Every few days for the past several weeks, when checking my email, an uncanny reading suggestion from Academia.edu appears in my inbox. Based on my “Reading History,” I might be interested in an article titled “Drawing a Motion on Death”…
Millie and I first met at the 28th Annual Conference of the Society for Animation Studies held in Singapore in 2016. She was interested in my paper presentation about Buddhism and animation and asked relevant questions during the Q&A time.…
Since its creation in 1999, Kilkenny-based Cartoon Saloon has consistently stood out within the animation landscape, praised for its stories based on Irish folklore and showcasing a ‘painterly hand-drawn aesthetic’ (Rooney 2002). The studio’s first feature film, The Secret of…
Ireland’s animation studios have emerged as a significant force in the global market, harnessing their unique position as the sole English-speaking country in the European Union and strategically leveraging funding partnerships because of their geographical positioning between both American and…
In Pulses of Abstraction: Episodes from a History of Animation, Andrew R. Johnston contends that animation has been ‘pulsing in fits and starts with the creation, distribution and experimentation of new technologies’ (Johnston: 2024, p. 3). He sets out to…
Despite a common belief, the industrialization of Spanish animation studios took place only a decade later than in the United States. However, the first experiences happened at the beginning of the 20th century. We can claim that Segundo de Chomón…
Puppet films are often described as the work of a single author. The focus on the puppet featured in the film helps reveal the puppet filmmaking’s collaborative nature. A study on the collective mode of puppet filmmaking will be presented…
Many animation productions are international efforts, though the creative control often comes from studios in the US or Europe, while the studios in Asia end up performing the actual animation work. I will explore how the creative control in animation…
While the trademark thumbprint pressed into Gromit’s snout is the archetypal giveaway of British animation studio Aardman’s distinct material style, I was always more preoccupied by a splodge of jam. In several scenes of The Wrong Trousers (Nick Park, 1993),…
I have been taking photos, screenshots from my computer, printing them, re-photographing them, cropping them on my phone and reprinting them, creating assemblages that follow connections and human neural networks. In this process I take the role of a generative…