The absence of a memorial policy for animated films, in Tunisia and throughout Africa and the Middle East, is mainly explained by a lack of awareness of this art not only among the large audience but also among the insiders.…
Archives are divine. They have the power to transport us back to a forgotten time; they can suggest, with tantalizing incompleteness, new revelations about a hitherto familiar subject; and they can bend, warp, break, and remake history. Archives are also…
Ireland’s geographical position is an important factor to consider when taking into account the animation practices and techniques that were developing in both North America and Europe during the early-twentieth-century. Irish artists and filmmakers traveled widely for education and exhibition…
Several years ago, I wrote an article for Print Magazine’s online blog Imprint about a book written by artist/cartoonist Edwin George “E.G.” Lutz – a 1920 manual titled Animated Cartoons – How They Are Made Their Origin and Development. According…
According to a 2015 Los Angeles Times article, the majority of animation production students in the US are female, yet they comprise less than a fifth of the workforce in creative roles in the American animation industry. This situation is…
What do we mean by ‘history’? The term itself is much contested. History (with a capital ‘H’) is often reserved for ‘official histories’ of events, these are usually imbued with hegemonic priorities and neglect many voices that could contribute to…
To get closer into the heart of Thai-Thai-ness and as a continuation from ‘Tracing the Heart of Thai Animation’, which opened the discussion on Thai animation’s cultural identity and outlined the key feature films in their short history, this post…
Mecki the Hedgehog is a cartoon character originating in the 19th century, based on the tale of The Hare and the Hedgehog, from the brothers Grimm’s famous fairy tale collection. The fable tells the story of a hedgehog who tricked…
“Cinema and media studies in the early twenty-first century needs a better understanding of the relationship between two of the film’s most unwieldy and unstable organizing concepts: ‘animation’ and ‘film theory’. As the increasing digital nature of cinema now forces…
