The film Kubo and the Two Strings (2017) marks Fiennes’ third animated appearance as a villain, and I think it is here that his animated star image is consolidated – Fiennes’ voice denotes concerns of class, and his characters belong…
In this post, I want to move on from the simple evocation of a celebrity’s past roles to focus on the ‘vocal’ aspect of celebrity vocal stardom. Fiennes’ next animated villain, Lord Victor Quartermaine, would appear in 2005’s Wallace and…
It is certainly true that celebrity voice actors evoke their other roles through vocal performances and, by drawing on this wider intertext, a familiar voice helps to deepen our understanding of a character. My conception of celebrity vocal stardom necessarily…
Voice performances are technically eligible for nomination in the acting categories at the Academy Awards, but they have never been recognised. The founding of the SOVAS Voice Art Awards in 2013 was designed to rectify this because, as its chief…
Anyone who has ever responded to a call for papers has, at one point or another, experienced the perverse pleasure of stubbornly latching onto a topic that was not mentioned therein and running with it. It was in that contrarian…
Indexes, icons, and symbols. According to Charles Sanders Peirce’s semiotic theory (1974), we can identify three basic types of signs: indexes, icons, and symbols. Indexes, such as photos, videos, and films, have a factual connection with their objects since they…
When designing sound for animation, especially when you have some latitude in interpreting the visuals against your fully designed soundscape, there can be a tendency on trying to match up everything you see on screen with a direct sonic match.…
Animation always had close links with sound and music. Synchronism provides a means of rich formal experimentations. It is particularly striking in the field of the music video where the progression of the music itself often determines the progression, the…
Steamboat Willie, the first fully synchronized animated film that also introduced Mickey and Minnie Mouse, was first publicly presented on November 18, 1928, at Universal’s Colony Theater in New York City. Unlike all other iterations of Disneyland around the world,…
Most people think of each classic commercial American animation studios as having their own distinctive sonic style. Warner Brothers had the postmodern, action-driven sound developed by Carl Stalling. MGM had the classically trained Scott Bradley pumping out modern, occasionally atonal…
