While Sandra Lahire (1950-2001) is best known for her live action films, prior to 1986 she was working primarily with animation. These early works have received little attention, possibly because of their experimental approach and difficult subject matter. Throughout her…
Experimental Animation
What is animation in Ukrainian contemporary art?
by Viktoria Perevoznikova • May 7, 2015 • 2 Comments
In the article we will talk about animation as part of art practices of the day. At the Ukrainian art scene animation often, not pointedly, not bluntly, but indirectly is found in works of art, it comes in the spotlight…
Continuing the Legacy of Innovation
by Pamela Turner • April 7, 2015 • 0 Comments
It is fitting that early animation technologies, such as the zoetrope and thaumatrope were called “optical toys”. This attitude of play and discovery is inherent in the animation process, and especially in experimental work. Experimental animators approach animation from a…
Illusions of Depth and Motion in Robert Breer’s Fuji (1974)
by Paul Taberham • April 7, 2015 • 4 Comments
Robert Breer commented on one of his creative goals, by stating “I think even in painting the clue to what I do has something to do with ambiguity and controlling ambiguity and making it dramatic […] to get ambiguity as…
Oskar Fischinger on the word ‘Experimental’
by Cindy Keefer • March 27, 2015 • 0 Comments
In 1949 Oskar Fischinger’s film Motion Painting No. I (1947) was awarded the Grand Prix du Film Expérimental at the Festival international du cinéma expérimental in Knokke-le-Zoute, Belgium. Conceived by Jacque Ledoux, the festival was organized by the Cinématheque Royale…
The Importance of Being Immersed: Some Thoughts on Interactive Animation
by Mihaela Mihailova • March 19, 2015 • 0 Comments
There are certain buzz-worthy technological concepts that, having initially infiltrated animation discourse, continue to circulate just below the surface until a new development, event, or work of art re-energizes them AND brings them to the fore. The notion of digitally-enabled…
Contemplating Jordan Belson
by Aimee Mollaghan • February 26, 2015 • 1 Comment
Given that the Center for Visual Music’s Video on Demand Vimeo channel has recently started streaming a newly restored version of Jordan Belson’s 1972 film Chakra it seems like an opportune time to highlight the spiritual dimension of his work.…
Can (should) Animation reach beyond the “entertainment dependency?”
by Jean Detheux • February 19, 2015 • 5 Comments
Recent conversations on Facebook and elsewhere revolving around the second of my 2 visual renditions of Shostakovich’s String Quartet No. 8 in C minor (see more about this below, including a link to the web version) made me realize once…
Abstract Animation
by Pamela Turner • February 11, 2015 • 5 Comments
Abstract animation is not included in many animations festivals or venues. [1] Yet, abstraction is not the exception in other arts, notably sculpture, painting, and most importantly, music. The language of abstraction is inherent in human nature and allows us…