In winter, 2021, I and my co-faculty, Laurie Meeker, assigned our students to produce Animated Intergenerational Interviews about individuals’ relationships with their environment. The interviews were to be 30 to 60 seconds long, include at least 30 seconds of animation…
Sound and Music
Animated Violence Is Not (Always) a Laughing Matter
by Joe Sudlow • November 2, 2021 • 0 Comments
Violence and animation have a long-established bond. Through Tom and Jerry (1940-1958) and Looney Tunes (1930-1969), animated violence has developed a reputation as a comedic tool, but is also a common subject for animated documentaries with a serious ‘truth-telling’ agenda.…
How voice makes a villain: Fiennes and the Moon King
by Reece Goodall • January 25, 2021 • 1 Comment
The film Kubo and the Two Strings (2017) marks Fiennes’ third animated appearance as a villain, and I think it is here that his animated star image is consolidated – Fiennes’ voice denotes concerns of class, and his characters belong…
Accent, inflection and Lord Victor Quartermaine
by Reece Goodall • January 18, 2021 • 0 Comments
In this post, I want to move on from the simple evocation of a celebrity’s past roles to focus on the ‘vocal’ aspect of celebrity vocal stardom. Fiennes’ next animated villain, Lord Victor Quartermaine, would appear in 2005’s Wallace and…
Contextualizing Rameses in the stardom of Ralph Fiennes
by Reece Goodall • January 11, 2021 • 0 Comments
It is certainly true that celebrity voice actors evoke their other roles through vocal performances and, by drawing on this wider intertext, a familiar voice helps to deepen our understanding of a character. My conception of celebrity vocal stardom necessarily…
Re-Evaluating Celebrity Vocal Stardom Through the Animated Villains of Ralph Fiennes
by Reece Goodall • January 4, 2021 • 0 Comments
Voice performances are technically eligible for nomination in the acting categories at the Academy Awards, but they have never been recognised. The founding of the SOVAS Voice Art Awards in 2013 was designed to rectify this because, as its chief…
Remixing Fyodor D.: The Sound of National Character(s) in Russian-Language Bungo Stray Dogs AMVs
by Mihaela Mihailova • October 14, 2019 • 5 Comments
Anyone who has ever responded to a call for papers has, at one point or another, experienced the perverse pleasure of stubbornly latching onto a topic that was not mentioned therein and running with it. It was in that contrarian…
Sound as an Indexical Element in Nonfiction Animation
by Sofía Poggi • October 7, 2019 • 0 Comments
Indexes, icons, and symbols. According to Charles Sanders Peirce’s semiotic theory (1974), we can identify three basic types of signs: indexes, icons, and symbols. Indexes, such as photos, videos, and films, have a factual connection with their objects since they…
Synchronization and Synchresis: Avoiding ‘Mickey-Mousing’ in Sound Design
by Andrew Connor • September 30, 2019 • 1 Comment
When designing sound for animation, especially when you have some latitude in interpreting the visuals against your fully designed soundscape, there can be a tendency on trying to match up everything you see on screen with a direct sonic match.…
Crystal Clear: From Music to Animation
by Rosalie Loncin • September 23, 2019 • 0 Comments
Animation always had close links with sound and music. Synchronism provides a means of rich formal experimentations. It is particularly striking in the field of the music video where the progression of the music itself often determines the progression, the…