animationstudies 2.0

Main menu

  • About
    • Submission and Publication Guidelines
  • Upcoming Themes
  • Permanent Call for Posts
  • Book reviews
  • Guidelines
  • Submit your work

Book reviews

Looking for the submission form? Please go to our Submission and Publication Guidelines to find out how to submit your work.


Animation Studies 2.0 is committed to promoting the work of animation scholars. In this section, you will find the upcoming calls for book reviews, as well as published book reviews.

We are currently seeking reviewers for:

  1. Politically Animated: Non-fiction Animation from the Hispanic World (2023) by Jennifer Nagtegaal
  2. Women and Film Animation A Feminist Corpus at the National Film Board of Canada 1939-1989 (2024) by Marie-Josée Saint-Pierre
  3. Surrealism and Animation: Transnational Connections, 1920-Present (2025), eds. Abigail Susik
  4. Drawn to Nature: American Animation in the Age of Science (2025) by Colin Williamson

We welcome suggestions for books to review. Please contact co-editors Carmen Hannibal and Anastasiia Gushchina via blog@animationstudies.org with any questions or book recommendations.


Published reviews:

  • A black cover with cartoon characters driving colourful cars with the title of Cartoon Vision at the top of the composition.
    Review: Cartoon Vision: UPA Animation and Postwar Aesthetics (2019) by Dan Bashara
    by Kate Renner
    November 27, 2025
    The idea that midcentury modern design is the foundation of the aesthetic style prevalent in films produced by United Productions of America (UPA) studio is not a novel concept. Several books explore the connection between UPA films and other design…

    Read more →

  • The book cover is mostly white with a black, scribbled spiral dominating the center of the cover. A red-haired drawn figure, wearing brown slippers, a light-purple dress, and a green coat, seems to be falling backwards into the spiral, a still from one of the case studies discussed in the book (My Depression by Elizabeth Swados, 2014). In the upper right corner, the author’s name, Slava Greenberg, is written in green. The title, Animated Film and Disability, is centered at the bottom and written in the same green. The subtitle, Cripping Spectatorship, appears below in orange.
    Review: Animated Film and Disability: Cripping Spectatorship (2022)
    by Sanny Schulte
    October 31, 2025
    GREENBERG, SLAVA. Animated Film and Disability: Cripping Spectatorship. Indiana University Press, 2022. https://doi.org/10.2307/j.ctv3142v9x. Image description: The book cover is mostly white with a black, scribbled spiral dominating the center of the cover. A red-haired drawn figure, wearing brown slippers, a light-purple…

    Read more →

  • two Asian cartoon characters standing next to a river
    Review of Animated Encounters: Transnational Movements of Chinese Animation
    by Damian Mandzunowski
    August 19, 2025
    Daisy Yan Du, Animated Encounters: Transnational Movements of Chinese Animation, 1940s-1970s. Honolulu: University of Hawaii Press, 2019: 276 pp.: ISBN 978 0 8248 7210 6, $90.00 (hbk); $30.00 (pbk). In Animated Encounters: Transnational Movements of Chinese Animation, 1940s-1970s, Daisy Yan…

    Read more →

  • Review of The Intersection of Animation, Video Games, and Music: Making Movement Sing
    by María ilia Katsaridou
    April 15, 2025
    In The Intersection of Animation, Video Games, and Music: Making Movement Sing, editors Lisa Scoggin and Dana Plank gather fourteen chapters that examine how music operates across animated forms and interactive worlds. With a nod toward both classic and contemporary…

    Read more →

  • Review: Image Objects: An Archaeology of Computer Graphics (2021), by Jacob Gaboury
    by Gina Moore
    February 7, 2025
    Figure 1. Render of Houdini scene featuring the Utah teapot which is available as an “off-the-shelf” object in most contemporary 3D software packages. 2024 Gina Moore. Found in various industries including film, advertising, games, and visualisation, computer graphics (CG) are…

    Read more →

  • Review of Animation (2019), edited by Scott Curtis
    by Marc Russo
    December 27, 2024
    Animation, edited by Scott Curtis, is a remarkable addition to the Behind the Silver Screen series of film books. This series promises to provide a history of filmmaking rather than merely a history of films, and Animation fulfills this promise…

    Read more →

  • Review of ‘Anime’s Knowledge Cultures: Geek, Otaku, Zhai’
    by Xiyuan Tan
    September 17, 2024
    I suggest anyone who is interested in anime, is involved in the ‘Animation, Comics and Games’ subculture within the East Asian context (ACG), has friends who are anime geeks, or identifies as an ‘nijigen/erciyuan’ to have a look at Anime’s…

    Read more →

  • The Flesh of Animation
    by Jack Parry
    July 19, 2024
    The Flesh of Animation: Bodily Sensations in Film and Digital Media by Sandra Annett is an insightful exploration of the intertwining of the physical body and the ‘flesh’ of animation.  The author plays with the concepts of body and flesh…

    Read more →

  • pulses of abstraction cover
    Review: Pulses of Abstraction: Episodes from a History of Animation (2020), Andrew R. Johnston
    by Andrew Connor
    April 29, 2024
    In Pulses of Abstraction: Episodes from a History of Animation, Andrew R. Johnston contends that animation has been ‘pulsing in fits and starts with the creation, distribution and experimentation of new technologies’ (Johnston: 2024, p. 3). He sets out to…

    Read more →

  • Cover of Ryan Pierson's Figure and Force in Animation Aesthetics
    Review: Figure and Force in Animation Aesthetics (2019), Ryan Pierson
    by Colin Wheeler
    February 16, 2024
    Writing about the way elements move in animation proves to be a formidable challenge for any book on the medium, but Ryan Pierson’s Figure and Force in Animation Aesthetics (2019) manages to explore philosophical theories related to change while providing…

    Read more →

  • Review: French Animation History (2011), by Richard Neupert
    by Adriana Navarro Álvarez
    December 5, 2023
    French Animation History (2011) by Richard Neupert delivers an essential academic exploration of Francophone animated cinema, a topic of great interest according to Neupert, due to its artistic potential and worldwide influence since its origins. Across six chapters, the author…

    Read more →

  • Review: Coraline: A Closer Look at Studio LAIKA’s Stop-Motion Witchcraft (2021), ed. Mihaela Mihailova
    by Kate Renner
    October 11, 2023
    In the introduction of the recently published anthology Coraline: A Closer Look at Studio LAIKA’s Stop-Motion Witchcraft, editor Mihaela Mihailova writes, “Like witchcraft, puppet craft remains poorly understood and frequently branded as a relic of a bygone era — and…

    Read more →

  • Anime’s Identity Crisis: Closed Borders, Global Networks, and the Neoliberal Self
    by Colin Wheeler
    March 8, 2022
    Review of Stevie Suan. Anime’s Identity: Performativity and Form Beyond Japan. United States, University of Minnesota Press, 2021. Traditional scholarship on anime has left the identity of the media form as de facto Japanese, reducing a global industrial network into…

    Read more →

  • A Vibrant History, Bursting at the Seams
    by Carla MacKinnon
    December 6, 2021
    Review of Jez Stewart, The Story of British Animation, London: British Film Institute, Bloomsbury, 2021. Jez Stewart’s role as a curator at the BFI National Archive positions him well as author of this detailed history of British animation. The book…

    Read more →

  • The Truth about “Animating Truth”
    by Sofía Poggi
    October 19, 2021
    Review of Nea Ehrlich, Animating Truth: Documentary and Visual Culture in the 21st Century, Edinburgh: Edinburgh University Press, 2021. For those of us who are interested in nonfictional animation, Nea Ehrlich’s new book is, to tell the truth, a proper…

    Read more →

  • Expanding into Unchartered Land: Arab Animation Production from the Thirties to Today
    by Myria Christophini
    September 20, 2021
    Review of Omar Sayfo, Arab Animation: Images of Identity, Edinburgh: Edinburgh University Press, 2021. Probably the first extensive dedication to the subject, Arab Animation: Images of Identity is a major contribution to the diverse world of Arab and international animation…

    Read more →

  • Animating Atrocities: Bearing Witness in War Animation Films
    by Genia Boivin
    September 28, 2020
    Review of Donna Kornhaber, Dream Sanctuary: War and the Animated Film. Chicago/London: University of Chicago Press, 2020. When one thinks about wartime animated films, propaganda film comes to most people’s mind. Indeed, since the 1990s, studies in animated propaganda developed…

    Read more →

  • Crafty Fingers and Imperfect Frames
    by Laura-Beth Cowley
    January 6, 2020
    Review of Caroline Ruddell and Paul Ward (eds.). The Crafty Animator: Handmade, Craft-Based Animation and Cultural Value. Switzerland: Palgrave Macmillan, 2019. The Crafty Animator: Handmade, Craft-based Animation and Cultural Value is a coherent collection of essays centered around the production of…

    Read more →

  • Bursting the Bounds of Chinese Animation and Scholarship
    by Shannon Brownlee
    July 15, 2019
    Review of Daisy Yan Du. Animated Encounters: Transnational Movements of Chinese Animation 1940s-1970s. University of Hawai’i Press, 2019. Daisy Yan Du’s excellent Animated Encounters: Transnational Movements of Chinese Animation 1940s-1970s is essential reading for anyone interested in Chinese or Japanese…

    Read more →

  • Changing Perspective(s) on Japanese Animation
    by Marco Pellitteri
    June 24, 2019
    Review of Masao Yokota and Tze-yue G. Hu (eds.).  Japanese Animation: East Asian Perspectives. Jackson: University Press of Mississippi, 2013. This book was put together by a prominent clinical psychologist with a long experience in the psychological dimensions of animation…

    Read more →

Previous themes

Header shows still from "On Our Way" by Ruth Hayes, with Artists permission".

Copyright © 2025 animationstudies 2.0. All Rights Reserved. Gridiculous created by c.bavota.