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Gender and Animation, Women in Animation

The Leeds Animation Workshop

by Else Thomson • November 6, 2017 • 4 Comments

Leeds Animation Workshop (LAW) started in 1977 as a campaigning group of female friends. This group was the first British, all female animation collective, and to date it has produced and distributed approximately 40 short films, making use of animation…

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Gender and Animation, Women in Animation

Asparagus: Beyond Aesthetics and Female Expression

by Gracia Ramirez • October 30, 2017 • 1 Comment

Asparagus (1979, by Suzan Pitt) follows a face-less blonde woman who unleashes her fantasy and creativity into bizarre visions and events, conjuring and transforming objects with vibrating colors and forms that often acquire sexual connotations. While Asparagus is now considered…

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Gender and Animation, Women in Animation

The Women of Studio Ghibli

by Ruth Richards • October 23, 2017 • 3 Comments

Last year, Studio Ghibli’s producer, Yoshiaki Nishimura, caused something of a stir when he stated that whether or not Ghibli would hire a female director would depend on the type of film it would be produced. He stated: “Women tend…

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Experimental Animation, Gender and Animation, Women in Animation

Exploring the Work of Sandra Lahire

by Vicky Smith • October 16, 2017 • 0 Comments

While Sandra Lahire (1950-2001) is best known for her live action films, prior to 1986 she was working primarily with animation. These early works have received little attention, possibly because of their experimental approach and difficult subject matter. Throughout her…

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Gender and Animation, Women in Animation

‘In a Tiny Realm of Her Own’: Lotte Reiniger, Domesticity and Creativity

by Tashi Petter • October 9, 2017 • 9 Comments

In the seminal study of Weimar cinema, From Caligari to Hitler: A Psychological History of German film (1947), Siegfried Kracauer offers an intriguing tribute to Lotte Reiniger, the pioneering filmmaker best known today for directing the earliest surviving animated feature,…

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Animation and seriality

Driving Off the Production Line: Pixar Animation Studios’ Cars (2006-2017)

by Christopher Holliday • October 2, 2017 • 0 Comments

One of the most durable images that recurs throughout critical histories of Classical Hollywood is the studio system’s evocation of factory principles of corporate standardization. Writing in 1927, William A. Johnston argued that “from manufacturer to consumer it [cinema] functions…

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Animation and seriality

The Bitter Seriality of Don Hertzfeldt’s It’s Such a Beautiful Day

by Josette Wolthuis • September 25, 2017 • 1 Comment

It is now five years since animation artist Don Hertzfeldt released his tragicomedy feature It’s Such a Beautiful Day (2012), which brings together his three short films Everything Will Be OK (2006), I Am So Proud of You (2008) and the 2011…

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Animation and seriality

Anicom Seriality: BoJack Horseman and the Post-Broadcast Era

by Liam Rogers • September 18, 2017 • 0 Comments

Netflix’s BoJack Horseman is many things: an amazing cartoon world where humans and anthropomorphic animals live in cohabitation; a pun-filled comedy that satirizes Hollywood culture; a sobering exploration of nihilism and depression. However, what distinguishes it from traditional animated sitcoms…

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Animation and seriality, Queer/ing Animation

This Is Me Now: Queer Time and Animated Childhood

by Katie Barnett • September 11, 2017 • 3 Comments

Animated sitcoms have a complex relationship with time. These are worlds where a character can remain 10 years old from 1989 to nowadays (as is the case for Bart Simpson in The Simpsons), a pregnancy can last seven television seasons…

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Festival report

Animated Works at the 2017 Taipei Film Festival

by Jason Cody Douglass • July 24, 2017 • 0 Comments

As I write, the nineteenth iteration of the Taipei Film Festival winds to a close in three cinemas across the city. By and large the festival is an “international” affair, with omnipresent advertisements promising films from over 40 different countries,…

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