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Documentary

He Named Me Malala: A Producer’s Tale

by Irene Kotlarz • October 10, 2016 • 1 Comment

Producing animation for a live action documentary involves many practical and logistical challenges. Put plainly, live action documentary filmmakers don’t always understand how animation works, and vice versa, and the production methods are vastly different. In this post I will…

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Documentary

Animated Interjections

by Bella Honess Roe • October 3, 2016 • 0 Comments

I’m currently pondering the idea of animated ‘interjections’ in otherwise live action documentaries. I first started thinking about animated interjections a long time ago, probably when I was doing my PhD research around 2008, but definitely when I was working…

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Movement

Animation: Illusion of Movement, Recreation of Difference

by Oslavi Linares • September 26, 2016 • 5 Comments

Animation can represent change, even when this is invisible. Moreover, even deprived of the dimension of time, animation can recreate/represent variance and difference. Difference and variance is at the crux of the creation of animation’s illusion. Norman McLaren (in Sifianos…

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Movement

Illusion of Motion: Music and Animation

by Sarah Rundell • September 19, 2016 • 3 Comments

When we listen to music there comes a distinct experience of the passing of time. As the music changes, develops and grows, certain ‘events’ in the sound mark out a subjective feeling of time. Our awareness of following this passage…

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Movement

Exploring the Links between Chronophotography, Movement and Animation

by Bronwyn Horne • September 12, 2016 • 1 Comment

It can be argued that the primary emphasis of the animation process is on observation of movement. As animators, we are continually studying motion in order to understand the way things naturally move and interact. Motion can be considered the…

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Movement

Qualities of Movement in Animation

by Steve Weymouth • September 5, 2016 • 2 Comments

“The delight of animation comes of the experience of movement, and the art of animation is, above all, that of movement”, writes Thomas Lamarre (2013: 117). At the heart of our contemporary cinematographic understanding of animation are older meanings of…

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Miscellaneous

Black & white, the most direct way to making the visible visible.

by Jean Detheux • July 15, 2016 • 9 Comments

If, as I believe, Art is a never ending search for the elusive real, there are many ways to go about that infinite task and, short of using a stick and making marks in the wet sand, using one’s fingers…

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Representation

Ye Gods: Animating Gay Porn (Part 2)

by Adam de Beer • July 1, 2016 • 0 Comments

As argued previously in Shiver me Timber: Animating Gay Porn (Part 1) animated pornography, such as Pirate’s Booty (dir/Wendy Crawford, 2009) and Tales from the gods (dir/Wendy Crawford, 2010) allows a visual representation of sex that is arguably more real…

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Representation

Shiver Me Timber: Animating Gay Porn (Part 1)

by Adam de Beer • June 15, 2016 • 1 Comment

Tom Hickman argues in The Sexual Century (1999) that sexuality in the 20th century has gone from “private passion [to]… public obsession”, and is what Susan Sontag refers to as “one of the demonic forces in human consciousness – pushing…

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Representation

Candace Agonistes: Asperger’s Syndrome And The Real Star Of “Phineas And Ferb”

by David Perlmutter • June 9, 2016 • 2 Comments

Hi. My name is David, and I’m an Aspie. That is to say, I’m someone who is afflicted with Asperger’s Syndrome, a neurological condition first diagnosed by the man it is named for in the 1940s, but not fully accepted…

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