Silent Signal is devised and produced by Animate Projects with scientist Bentley Crudgington, and is supported by a Wellcome Trust Large Arts Award and the Garfield Weston Foundation. The idea was to create a group of thematically interlinked but distinct pieces of animated…
Collaboration and animation
“Your World and My World are Connected”: Studio Ghibli as Ancestral Cinema
by Georgina Brown • May 6, 2016 • 0 Comments
In June of 1985, creative visionaries Hayao Miyazaki and Isao Takahata joined forces with producer Toshio Suzuki to create what would later grow to be one of Japan’s most highly established and globally admired animation studios. This studio, Studio Ghibli,…
Genre and Animation
Beyond the “Children’s Film” Label: Animating Generic Hybridity in Contemporary Mainstream Animation
by Eve Benhamou • April 29, 2016 • 1 Comment
“A stunning big-screen comedy-adventure.”[i] This enthusiastic advertising description does not refer to a Marvel superhero film, or an action-adventure franchise like Pirates of the Caribbean, or not even to the highly successful Star Wars: The Force Awakens (Abrams, 2015).…
Genre and Animation
Needles in Haystacks: Genre in Contemporary American Television Animation
by David Perlmutter • April 22, 2016 • 1 Comment
Trying to talk seriously about American television animation is a difficult thing to do. You can’t talk to people about these shows if they haven’t seen them, and usually, especially if they do not have children or a television set,…
Genre and Animation
Kitne Sholay The? Animated Parodies of a Classic Bollywood Film
by Anitha Balachandran • April 15, 2016 • 0 Comments
40 years after its release, G.N Sippy’s Sholay (1975) is still arguably the most influential Hindi film ever made. Sholay’s plot is inspired by popular Hollywood westerns, and particular scenes recall famous films of this genre, such as Once Upon…
Genre and Animation
Animation, A Neuroplasticart* Media of Visual Thinking and Emotions
by Inma Carpe • April 8, 2016 • 2 Comments
“People think of animation only doing things where people are dancing around and doing a lot of histrionics, but animation is not a genre. And people keep saying, ‘The animation genre.’ It’s not a genre! A Western is a genre!…
Animation Franchises and the Studio System
Outside In: Taking on the major studios in the Animated Feature Oscar race
by Sam Summers • February 28, 2016 • 0 Comments
It would not be controversial to say that the continued importance and relevance of the Academy Awards is highly questionable, with this year’s crop of nominations in particular rightfully coming under fire for their lack of diversity. There is, however,…
Animation Franchises and the Studio System
Branding the Beagle: Reworking Peanuts for the Blockbuster Age
by Robbie McAllister • February 24, 2016 • 0 Comments
The Peanuts Movie (2015) appears to be somewhat of an anomaly amongst the wave of animated sequels, prequels and re-imaginings that have recently been released with major studio backing. Produced by Blue Sky Studios (20th Century Fox’s animation subsidiary), Peanuts…
Animation Franchises and the Studio System
The Evolution of the Disney Princess Franchise: Catching Up and Moving Forward
by Kodi Maier • February 12, 2016 • 2 Comments
In 2006 Peggy Orenstein had had enough: frustrated with the way everyone around her, from family members to total strangers, eagerly foisted the recent princess mania onto her three-year-old daughter, she took to the New York Times in an attempt…
Animation Auteurs
‘The Sorcerer’s Apprentice’ — 75 Years Later, Still One Of The Most AntiSemitic Cartoons Ever Made.
by Luke Jaeger • February 1, 2016 • 5 Comments
Animation teachers and historians are often confronted with young audiences who are convinced that “Walt Disney was a racist.” It’s an oversimplification if not an outright falsehood (and a cheap laugh line endlessly repeated by “Family Guy” writers and other…