Steamboat Willie, the first fully synchronized animated film that also introduced Mickey and Minnie Mouse, was first publicly presented on November 18, 1928, at Universal’s Colony Theater in New York City. Unlike all other iterations of Disneyland around the world,…
Most people think of each classic commercial American animation studios as having their own distinctive sonic style. Warner Brothers had the postmodern, action-driven sound developed by Carl Stalling. MGM had the classically trained Scott Bradley pumping out modern, occasionally atonal…
Both the opening titles and the end credits play a significant role in a movie. While the former allow the viewer to enter the film, the latter extend the viewer’s filmic experience. This is true for animated films as well.…
When we listen to music there comes a distinct experience of the passing of time. As the music changes, develops and grows, certain ‘events’ in the sound mark out a subjective feeling of time. Our awareness of following this passage…
Recent conversations on Facebook and elsewhere revolving around the second of my 2 visual renditions of Shostakovich’s String Quartet No. 8 in C minor (see more about this below, including a link to the web version) made me realize once…
