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Early Animation, Education in/and Animation, Philosophy

Pre-Cinema in the Classroom: The Philosophical Opportunity of Red Raven Movie Records

by Robby Gilbert • October 29, 2018 • 2 Comments

Not long ago I happened upon an original Reynaud praxinoscope for sale in a shop in Paris. Unable to justify its asking price, I began to research more affordable alternatives to share with animation students with whom I have made…

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Early Animation, Education in/and Animation

Émile Reynaud and the Théâtre Optique: Thinking Animation

by Stéphane Collignon • October 22, 2018 • 1 Comment

I like to start my animation history class by telling the students that I am going to show them the very first animated film ever made. I then proceed by showing Pauvre Pierrot (1892, by Émile Reynaud) without further comments.…

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Early Animation, Women in Animation

Home Cinema: A History of an Almost Undiscovered Private Experiment

by Eliska Decka • October 15, 2018 • 1 Comment

Imagine an evening with everyone sitting together, the room darkening; the first picture appears on the hanging sheet and the narrator starts his or her story. The form and content of the tale are always a little different – it…

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Book Review

Thought Made Flesh

by Joseph Darlington • October 8, 2018 • 2 Comments

Review of Deborah Levitt. The Animatic Apparatus. Winchester: Zero Books, 2018.   Animation is thought made flesh. It gives life, or at least the illusion of a life, to the world as we imagine it. It fabricates perceptions and, in…

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Early Animation

Out of the Cave: The Vaudeville Version of Winsor McCay’s Gertie (1914)

by Donald Crafton • October 1, 2018 • 5 Comments

Among the incunabula of animation cinema, perhaps no other work is as revered and well-known to scholars, students, and cartoon aficionados as Winsor McCay’s Gertie. Aside from the technical innovation, the astounding feat of producing thousands of nearly-identical handmade pen-and-ink…

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Early Animation, Women in Animation

Helena Smith Dayton: An Early Animation Pioneer Whose Films You Have Never Seen

by Jason Cody Douglass • September 24, 2018 • 3 Comments

In the final months of 1917, Helena Smith Dayton (1883–1960) released a one-reel production of Romeo and Juliet starring a cast of characters crafted entirely out of clay. Though identifiable now as a pioneering work of stop-motion animation, the film’s…

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Early Animation

Meditations on Metamorphosis: Natural History and Animation in Chomón’s Trick Films

by Colin Williamson • September 17, 2018 • 3 Comments

Animation is the medium that allows for a dramatization of a skirmish with nature. -Esther Leslie, “Animation and History”   In Segundo de Chomón’s Création de la Serpentine (1908), a sorcerer transforms a billowing piece of fabric into a woman…

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Book Review

Computer Worlds

by Sam Summers • September 10, 2018 • 1 Comment

Review of Christopher Holliday. The Computer-Animated Film. Industry, Style and Genre. Edinburgh: Edinburgh University Press, 2018.   The Computer-Animated Film is ambitious in its scope and comprehensive in its coverage, which alone would make a go-to text in the still-comparatively…

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Early Animation

Galileo, Sunspots and the Heretical Rotoscope of 1612

by Alison Reiko Loader • September 3, 2018 • 5 Comments

This post explores the use of the camera obscura as an Early Modern astronomical instrument and shows how that apparatus helped make sequential images of extraordinarily controversial cosmological significance centuries before chronophotography. What follows is the story of how, in…

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Animation and Robots

Interdisciplinary Approaches to the Research of the Illusion of Life

by Nea Ehrlich • August 13, 2018 • 2 Comments

I recently began a project that combines new media art with robotic design. It is a fascinating new direction for me and I was quite surprised to see the recurring mention of animation within the field I was venturing into.…

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