Flesh (Carne) is a Brazilian animated documentary directed by Camila Kater in 2019. Flesh follows the story of five women in different phases of life as they speak about their ambiguous relationship with their own bodies, as well as their…
While the theme ‘violence in animation’ might mostly be associated with indestructible cartoon characters, here I reflect upon the capacity of non-figurative animation to directly assail the senses. Can abstraction be as effective as figurative art in communicating issues of…
Recently I produced and directed a documentary about women working in the animation industry which highlighted the lack of women in key creative roles. The documentary, entitled British Animation Women Breaking the Mold, was broadcast on Sky Showcase Channel 192…
Ireland’s geographical position is an important factor to consider when taking into account the animation practices and techniques that were developing in both North America and Europe during the early-twentieth-century. Irish artists and filmmakers traveled widely for education and exhibition…
In the final months of 1917, Helena Smith Dayton (1883–1960) released a one-reel production of Romeo and Juliet starring a cast of characters crafted entirely out of clay. Though identifiable now as a pioneering work of stop-motion animation, the film’s…
For anyone interested in equity in gender representation in the film industry, Melissa Silverstein at Indiewire recently posted some depressing infographics regarding the number of both independent[i] and mainstream[ii] motion pictures directed by women. According to the graphics, only 10%…
Generally speaking animated filmmaking is gendered. Men usually work as directors, key animators, and photographers, while women take less important roles such as inkers and painters—jobs that demand repetitive and tedious manual labor rather than artistic creativity and high technology.…
