Interestingly, today’s hyper-visual and screen-based “era of information” is also defined as a time of “post-truth” (Oxford Dictionary’s 2016 “word of the year”). The tension between knowing and not knowing, between being informed and being misinformed is therefore timelier than…
Documentary
Animated Stars and Their Employment in Walt Disney Studios’ Classical Animated Documentaries
by Cristina Formenti • April 25, 2017 • 0 Comments
On the Hollywood Walk of Fame, along with the many stars immortalizing real-life celebrities, there are also some honoring famous animated figures, such as Mickey Mouse or Donald Duck. Indeed, although they are made of lines and colors and not…
Colombian Animation and New Perspectives of Sociopolitical Reality
by Lina Aguirre • April 10, 2017 • 0 Comments
Political upheaval is not something new in Colombia. For more than five decades, Colombians have experienced high levels of corruption in the government, the infiltration of drug trafficking into political life, continuous violations of human rights, and an armed conflict…
Deterrent Versus Disclosure: The ‘No Way’ Campaign Comic and Nowhere Line: Voices from Manus Island
by Nina Mickwitz • November 14, 2016 • 0 Comments
Lukas Schrank’s animated short, Nowhere Line: Voices from Manus Island (2015), uses recorded mobile phone conversations as both source and sound track, to tell the stories of two detainees in one of the Australian government’s notorious offshore refugee camps. This…
This Is Your Life, Donald Duck and the Early Mockumentary
by Cristina Formenti • November 7, 2016 • 0 Comments
Undeniably, the most popular way of intersecting animation and documentary is that of using animation to recount a factual occurrence. Yet, this is not the only possible manner in which they can combine. Another way of crossing them over consists in…
Dialoguing on the Refusal of the Indexical (Part 2)
by Kelly Sears • October 31, 2016 • 0 Comments
Featured in this interview is Tara Knight’s animated, episodic, documentary series of short films, Mikumentary, about the singing, dancing, and collaboratively-created hologram Hatsune Miku. Through fragmented storytelling and animation that responds to Miku as a reconfigurable subject, Knight creates a modular…
Dialoguing on the Refusal of the Indexical (Part 1)
by Tara Knight • October 24, 2016 • 0 Comments
To many “animated documentary” sounds like an oxymoron: the genre inherently refuses indexical understandings of “the real” as purported, and highly debated, within photographic documentary practices. Similarly, it is accepted that historical, archival, or found footage imagery may stand in…
Animating Autism
by Ruth Richards • October 17, 2016 • 4 Comments
In 2015, Griffith Film School’s LiveLab collaborated with Gold Coast Health and Sentis to produce an animated short on autism. Released online in 2016, Ky’s Story – Living with Autism aims to raise awareness about autism through the story of Ky…
Ethics, Aesthetics and Memory: Animation in 30 años de oscuridad
by Abigail Loxham • October 13, 2016 • 0 Comments
Spain is suffering from a crisis of memory and, although there is little consensus as to whether this crisis is one of too much remembrance or too little, what cannot be avoided is the prevalence of the topic in screen…
He Named Me Malala: A Producer’s Tale
by Irene Kotlarz • October 10, 2016 • 1 Comment
Producing animation for a live action documentary involves many practical and logistical challenges. Put plainly, live action documentary filmmakers don’t always understand how animation works, and vice versa, and the production methods are vastly different. In this post I will…