Review of Kayla Rae Whitaker. The Animators. London: Random House Trade, 2017. Animation often draws on literature. Disney had his fairy tales and every good anime starts life as a manga. Inspiration travels in the other direction far less often.…
Over the past few weeks Animation Studies 2.0 has explored the theme of animation and philosophy through posts by Deborah Levitt, Scott Birdwise, Carol MacGillivray, Robby Gilbert, and Bella Honess Roe. I had the privilege of curating this theme and,…
Animation can be a powerful way to introduce young people to media making. As Yvonne Andersen (1970: 9) notes, “it is dynamic enough to stimulate them and yet easy enough for them to handle.” For several years, I have been…
The early twentieth century bore witness not only to the emergence of the ‘standalone’ printed comic book, but also to the birth of the animated film. In many ways, comics have often been associated with their moving image counterparts, as…
As argued previously in Shiver me Timber: Animating Gay Porn (Part 1) animated pornography, such as Pirate’s Booty (dir/Wendy Crawford, 2009) and Tales from the gods (dir/Wendy Crawford, 2010) allows a visual representation of sex that is arguably more real…
Tom Hickman argues in The Sexual Century (1999) that sexuality in the 20th century has gone from “private passion [to]… public obsession”, and is what Susan Sontag refers to as “one of the demonic forces in human consciousness – pushing…
40 years after its release, G.N Sippy’s Sholay (1975) is still arguably the most influential Hindi film ever made. Sholay’s plot is inspired by popular Hollywood westerns, and particular scenes recall famous films of this genre, such as Once Upon…
“Cinema and media studies in the early twenty-first century needs a better understanding of the relationship between two of the film’s most unwieldy and unstable organizing concepts: ‘animation’ and ‘film theory’. As the increasing digital nature of cinema now forces…
