Review of Christopher Holliday. The Computer-Animated Film. Industry, Style and Genre. Edinburgh: Edinburgh University Press, 2018. The Computer-Animated Film is ambitious in its scope and comprehensive in its coverage, which alone would make a go-to text in the still-comparatively…
The purpose – but at the same time the problem – of genre classification is to instill ‘purity’ and order through categorization. Genre categories have defied easy definition as the borders intended to separate them are always shifting and expanding,…
“A stunning big-screen comedy-adventure.”[i] This enthusiastic advertising description does not refer to a Marvel superhero film, or an action-adventure franchise like Pirates of the Caribbean, or not even to the highly successful Star Wars: The Force Awakens (Abrams, 2015).…
Trying to talk seriously about American television animation is a difficult thing to do. You can’t talk to people about these shows if they haven’t seen them, and usually, especially if they do not have children or a television set,…
“People think of animation only doing things where people are dancing around and doing a lot of histrionics, but animation is not a genre. And people keep saying, ‘The animation genre.’ It’s not a genre! A Western is a genre!…
