With the archival turn in film and media studies and the increasingly diverse range of archives private, hybrid or institutional that exist both on and off line, animation scholars are confronted again with a longstanding problem. How do we find…
Animation Archives
Making animation archives more accessible – collaboration with archivists, academics and practitioners
by Rebekah Taylor • June 2, 2015 • 0 Comments
How can archivists, academics and practitioners collaborate to promote and make animation archives easily accessible through workshops, cataloguing, and displaying data? Knowledge is vital in terms of looking after vulnerable media, communicating on what material should be kept for permanent…
"National" Animation, Experimental Animation
What is animation in Ukrainian contemporary art?
by Viktoria Perevoznikova • May 7, 2015 • 2 Comments
In the article we will talk about animation as part of art practices of the day. At the Ukrainian art scene animation often, not pointedly, not bluntly, but indirectly is found in works of art, it comes in the spotlight…
Education in/and Animation
Disney Animated Features and Engaging Middle Grade Learners
by Eleanor Huntington • April 19, 2015 • 3 Comments
Teaching middle school girls, particularly middle school girls of color, about the legacy of imperialism can be simultaneously disturbing and disheartening. Learning about imperialism requires revisiting the legacy of cultural dominance with a group of young people who are still…
Education in/and Animation, Experimental Animation
Continuing the Legacy of Innovation
by Pamela Turner • April 7, 2015 • 0 Comments
It is fitting that early animation technologies, such as the zoetrope and thaumatrope were called “optical toys”. This attitude of play and discovery is inherent in the animation process, and especially in experimental work. Experimental animators approach animation from a…
Experimental Animation
Illusions of Depth and Motion in Robert Breer’s Fuji (1974)
by Paul Taberham • April 7, 2015 • 4 Comments
Robert Breer commented on one of his creative goals, by stating “I think even in painting the clue to what I do has something to do with ambiguity and controlling ambiguity and making it dramatic […] to get ambiguity as…
Experimental Animation
Oskar Fischinger on the word ‘Experimental’
by Cindy Keefer • March 27, 2015 • 0 Comments
In 1949 Oskar Fischinger’s film Motion Painting No. I (1947) was awarded the Grand Prix du Film Expérimental at the Festival international du cinéma expérimental in Knokke-le-Zoute, Belgium. Conceived by Jacque Ledoux, the festival was organized by the Cinématheque Royale…
Experimental Animation
The Importance of Being Immersed: Some Thoughts on Interactive Animation
by Mihaela Mihailova • March 19, 2015 • 0 Comments
There are certain buzz-worthy technological concepts that, having initially infiltrated animation discourse, continue to circulate just below the surface until a new development, event, or work of art re-energizes them AND brings them to the fore. The notion of digitally-enabled…
Experimental Animation
Contemplating Jordan Belson
by Aimee Mollaghan • February 26, 2015 • 1 Comment
Given that the Center for Visual Music’s Video on Demand Vimeo channel has recently started streaming a newly restored version of Jordan Belson’s 1972 film Chakra it seems like an opportune time to highlight the spiritual dimension of his work.…
Experimental Animation
Can (should) Animation reach beyond the “entertainment dependency?”
by Jean Detheux • February 19, 2015 • 5 Comments
Recent conversations on Facebook and elsewhere revolving around the second of my 2 visual renditions of Shostakovich’s String Quartet No. 8 in C minor (see more about this below, including a link to the web version) made me realize once…