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Fantasy/Animation

How can we understand Lotte Reiniger’s fantasy fairy-tales in context?

by Caroline Ruddell • October 9, 2015 • 1 Comment

In 1923 Lotte Reiniger began production on her animated feature film The Adventures of Prince Achmed, which was finally released in 1926. It has often been noted that her friend and collaborator Walter Ruttman is said to have been upset…

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Children's Animation

Early Years Animation as Ambient Experience

by Joe Darlington • October 2, 2015 • 0 Comments

You can imagine the scene – perhaps you’re living it now – with the infant sat captivated by the shifting shapes moving on the screen and the parent behind them, busy with another task, not concentrating on the screen but…

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Children's Animation

RIP Saturday Morning: The Changing Face of Children’s Broadcasting

by Amy Ratelle • September 22, 2015 • 3 Comments

Like many other people of a certain (Gen X) age, tuning into the Saturday morning time slot was directly responsible for igniting my love for all things animated. It was with great dismay, then, that I read the news last…

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Children's Animation

Planes, trains and automobiles; anthropomorphized vehicles in children’s animation (but mum it’s educational!)

by Nichola Dobson • September 4, 2015 • 3 Comments

This is a big topic to put into a short blog post and I have no intention on covering the complexities of the creepiness of the CG Thomas the Tank Engine with his juvenile voice versus the original stop motion…

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Adaptation

From The Lego Movie to Emoji: Adapting the Unadaptable

by Sam Summers • August 25, 2015 • 1 Comment

Late last month it was announced that Sony Pictures Animation spent nearly a million dollars on the rights to a movie pitch revolving around Emoji, those colourful little icons inserted into text messages when mere words are not enough to…

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Adaptation

Motion comics: Appropriating and adapting comic book artwork

by Craig Smith • August 13, 2015 • 5 Comments

While certain comic book narratives have already been adapted into various film franchises, televised cartoons, webcomics and interactive experiences, the emergence of the motion comic has further transformed the relationship between the comic book medium and moving image culture. It…

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Adaptation

Adapting Superman and the idea of medium specificity

by Malcolm Cook • August 3, 2015 • 2 Comments

When my co-author, Max Sexton, and I started researching and writing our recently published book Adapting Science Fiction To Television: Small Screen, Expanded Universe (Lanham, Maryland: Rowman & Littlefield, 2015) we kept returning to a central concept: medium specificity. The…

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Animating Industry

Sounding out the industry: the animated return of the Multiple Language Version (MLV)

by Christopher Holliday • July 7, 2015 • 9 Comments

Official stories of European film history evaluate multiple-language versions (MLVs) as a failed experiment within the emergent period of early sound cinema. As a counterpoint to intertitles that otherwise afforded readily flexible language transfer across nations, multilingual film production was…

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Animation Archives

At the Archive: Access, Preservation and Discoveries

by Cindy Keefer • June 30, 2015 • 2 Comments

The Center for Visual Music (CVM), a nonprofit archive based in Los Angeles dedicated to visual music and experimental animation, has extensive mixed media animation collections. Its largest collections are the films of Oskar Fischinger and Jordan Belson, plus Fischinger’s…

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Animation Archives

Animation Archives: Process and Materiality

by Mette Peters • June 22, 2015 • 0 Comments

The animation process often combines film and fine arts practices, whether for experimental or commercial production. Animation filmmakers make use of commercially available artist supplies (paints, inks, brushes, pencils) and specific equipment (pegbars or drawing tables), but also more unconventional…

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