Norman McLaren infamously posits that he probably became a filmmaker because he had been unable to be a dancer or choreographer. While one can argue that the underlying concern of his work is movement, one can also posit that McLaren’s…
Norman McLaren infamously posits that he probably became a filmmaker because he had been unable to be a dancer or choreographer. While one can argue that the underlying concern of his work is movement, one can also posit that McLaren’s…