Of all the models of streaming platform that were tried over the past decade, Netflix’s has undoubtedly proven the most popular. This has no doubt mainly been due to the casual enforcement of subscription policies (41% of Netflix users are…
Interdisciplinary Opportunity of Animation
Two Moments: Experimental Animation and Interdisciplinary Pedagogy
by Ruth Hayes • May 4, 2020 • 1 Comment
In fall and winter of 2019-20, I collaborated with Alice Nelson, a Spanish language and Latin American Studies scholar, teaching the fulltime program “Arts of Urgency: Latin American Film and Literature” at The Evergreen State College. The ability to collaborate…
Interdisciplinary Opportunity of Animation
Animation and Peace Studies: An Encounter for Societal Betterment
by Myria Christophini • April 27, 2020 • 3 Comments
Animation, as perhaps all modes of expression, has the potential to act as a tool for societal improvement. However, for animation to properly yield an informed and effective result for the benefit of society, it should arguably take advantage of…
Interdisciplinary Opportunity of Animation
Animation and Synesthetics (Part II)
by Robby Gilbert • April 21, 2020 • 1 Comment
Materials of the Synesthetic. Rethinking the Formal Elements of Animation “A strange multiplicity of sensations seized me, and I saw, felt, heard, and smelt at the same time; and it was, indeed, a long time before I learned to distinguish…
Education in/and Animation, Interdisciplinary Opportunity of Animation
Animation and Synesthetics (Part I)
by Robby Gilbert • April 14, 2020 • 0 Comments
Revisiting Conversations Regarding the Interdisciplinary Nature of the Art “If the unity of art can be established with all the subject matters taught and exercised, then a real reconstruction of this world could be hoped for—more balanced and less dangerous.”…
Interdisciplinary Opportunity of Animation
Methods of Image Substitution in Animation Devices
by Rufus Butler Seder • April 6, 2020 • 1 Comment
When a series of similar, yet progressively different still images are presented to the eye in rapid succession, we perceive the illusion of motion. That is how video and movies work. It is also how traditional and non-traditional animation toys…
Animation Archives, Genesis of New Animated Works
Working with Archival Sources: The Interactive Animated Artworks “Flora” (2018), “Shabamanetica” (2017), and “A man, a plan, a canal, Panama!” (2018)
by Eric Dyer • March 23, 2020 • 0 Comments
In this post, I describe some of my interactive animated artworks that incorporate archival sources. In particular, I focus on three titles: Flora (2018)–which is on view at the Museum of Photographic Arts (San Diego, CA) in the exhibition Illusion:…
Alternative/Forgotten Histories, Animation Archives
Animation’s Uncharted Territories and the Archive Issue: The Tunisian Case
by Maya Ben Ayed • March 16, 2020 • 1 Comment
The absence of a memorial policy for animated films, in Tunisia and throughout Africa and the Middle East, is mainly explained by a lack of awareness of this art not only among the large audience but also among the insiders.…
Animation Archives
‘Scrutinizing the Archive’: A Response to Chris Pallant
by Nichola Dobson • March 9, 2020 • 0 Comments
The recent post by Chris Pallant on the value of archives was indeed a great rally call for the value of the hidden treasures which archives can provide. As many of you know, I am one of those Chris identifies…
Animation Archives
Archiving Animation: A 10,000 Foot View
by Chris deWitt • March 2, 2020 • 2 Comments
Our society is either at the precipice of the most significant informational loss or the beginning of a new golden age of recorded information. The capabilities of the Internet, much like film and the printing press, has skewed our collective…