I have been taking photos, screenshots from my computer, printing them, re-photographing them, cropping them on my phone and reprinting them, creating assemblages that follow connections and human neural networks. In this process I take the role of a generative…
Implying the Surface in Animation
The Floating Horizon and Animated Disorientation
by Alla Gadassik • February 27, 2024 • 0 Comments
The horizon line is a key visual principle of the Western world-view, binding together histories of navigation, spatial representation, and philosophical inquiry. Ancient mariners valued the horizon as an orienting boundary between the earthly and the celestial, scanning perpendicularly across…
Implying the Surface in Animation
Animating the surface of the screen and the body
by Sharon Young • February 20, 2024 • 0 Comments
Animation goes, in all its superficiality, deeply into the substance of being, the hidden realms, the crevices beneath usual exposure, the constructions and reconstructions. […] Film is the unknowing suspension of disbelief in stand-ins, doppelgangers, avatars, things that only pretend…
Book Review
Review: Figure and Force in Animation Aesthetics (2019), Ryan Pierson
by Colin Wheeler • February 16, 2024 • 0 Comments
Writing about the way elements move in animation proves to be a formidable challenge for any book on the medium, but Ryan Pierson’s Figure and Force in Animation Aesthetics (2019) manages to explore philosophical theories related to change while providing…
Implying the Surface in Animation
Unstable surfaces in home is where the heart is (2023)
by Karen Bosy • February 13, 2024 • 1 Comment
I work within a tradition of documentary practice. Whilst a documentary can follow a narrative structure, this video complicates any notion of narrative to present a section of path in a wetland forest. This is an essential watershed area where…
Implying the Surface in Animation
Surface Effects in Frame-by-Frame Filmmaking
by Nicky Hamlyn • February 6, 2024 • 0 Comments
I have been working frame by frame for several years in both 16mm film and video. Although I do not consider myself to be an animator, I use single frame shooting to elaborate and control what are sometimes very complex…
Sight and Vision
Visual Alchemy: Transcending the Frame in Phenakistiscope Animation
by Guido Devadder • January 22, 2024 • 0 Comments
In an effort to prove his theory on persistence of vision to a wider, non-scientific audience, Joseph Plateau developed his first phenakistiscope (1832) depicting a dancer who performs a pirouette in 16 distinct steps, each of them separated by a…
Sight and Vision
The Grace of Vision: A Bergsonian take on Persistence of Vision
by Jack Parry • January 16, 2024 • 0 Comments
The phenomenon of persistence of vision (POV) is central to the conceptualisation and pedagogy of animation. There exists however controversy between film/animation theories and empirical science as to the parameters of this phenomenon. POV is classically seen as the phenomenon…
Sight and Vision
Beyond Persistence: Debunking the Myth and the Science of Animated Motion
by Philippe Vaucher • January 9, 2024 • 0 Comments
One of the reasons for the popularity and resilience of what is today referred to as the “persistence of vision” theory is that it mistakenly provides a simple explanation for two distinct perceptual phenomena. The first is flicker fusion, which…
Animation and Holiday Traditions
A Rugrats Passover: A Personal Reminiscence
by Jonathan Greenberg • December 11, 2023 • 0 Comments
In 1992, I was a recent college graduate who had moved to Los Angeles in the hopes of making a career as a screenwriter. A few happy accidents landed me work as a writer for a new series on Nickelodeon,…