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New Theoretical Approaches

Animation Theory vs. Theories of Animation

by Bella Honess Roe • February 24, 2014 • 3 Comments

A couple of weeks ago, I responded to an excellent post by Caroline Ruddell in which she asks ‘what of animation theory?’ I suggested that animation studies hasn’t cohered around any central questions of enquiry in the way Film Studies…

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New Theoretical Approaches

The Crisis in Animation Studies

by Lauren Carr • February 17, 2014 • 4 Comments

Dig deep into the past and try remembering when family households were able to function without the Internet. Society had more patience before affordable technology was possible. Remember sending a letter to grandma and waiting weeks for a response? Or…

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New Theoretical Approaches

James Ensor, Willem de Kooning, and “Visual Karaoke.”

by Jean Detheux • February 12, 2014 • 1 Comment

More and more often, I see digital images appear in various forums focusing on digital art, images that, to me, are to Art what karaoke is to Music. Simple as that Why? Because, in the Art that I “know” and…

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New Theoretical Approaches

What of animation and (T)theory

by Caroline Ruddell • February 3, 2014 • 5 Comments

In 1996 Bordwell and Carroll introduced their book entitled Post Theory: Reconstructing Film Studies in the following way: ‘Our title risks misleading you. Is this a book about the end of film theory? No. It’s about the end of Theory,…

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Watching Animation

Watching Animation – Xmas special

by Nichola Dobson • December 20, 2013 • 1 Comment

For the last post of the year, some xmas themed animation….Happy New Year everyone. A Charlie Brown Christmas http://www.hulu.com/watch/198677 Bob and Margaret – A Very Fishy Christmas, parts I and II and Father Christmas by Raymond Briggs Twas the Night…

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Watching Animation

Sand animation: From analog to digital.

by Corrie Francis Parks • December 16, 2013 • 5 Comments

Sand animation has an immediately recognizable and definitive “look”. It is marked by textural gradients, visible fingerprints and other marks of the artist’s hands. Most notably, sand animation is a monotone technique, the colors scale limited to the variations of…

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Watching Animation

Report: Canterbury Anifest Awards 2013

by Chris Pallant • December 9, 2013 • 1 Comment

As a matter of background, Canterbury Anifest is now in its seventh year, and has welcomed speakers from Aardman, Double Negative, DreamWorks, Pixar, and The Ray and Diana Harryhausen Foundation, to name but a few. Each year, Anifest also hosts…

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Watching Animation

“The Girl With Leaves” and “A Birthday”

by Willie Hartman • December 2, 2013 • 1 Comment

La Fille aux Feuilles or The Girl with Leaves by Marina Rosset is beautiful. Among the many commendable short films that grace the festival circuit every year, there are some pretty recognizable archetypes. There are the films about overcoming a fear,…

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mixed theme

SIGGRAPH Asia 2013 Art Gallery and Art Papers Round-up

by Mark Chavez • November 25, 2013 • 0 Comments

Last year at about this time (which is last minute by most measures) I was asked to Chair the SIGGRAPH Asia Art Gallery. Having successfully Chaired and organized the Educators Programme at SIGGRAPH Asia in 2008, the inaugural launch of…

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mixed theme

Animated Events – Experiences in ‘Boundary Crossings’

by Mike Nixon • November 18, 2013 • 0 Comments

I am a Graduate Diploma of Fine Arts student from Quay School of Arts in a small town called Wanganui about 2 hours from Wellington in New Zealand. I learned animation only the year before last, doing both stop motion…

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