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Genesis of New Animated Works, Sound and Music

Crystal Clear: From Music to Animation

by Rosalie Loncin • September 23, 2019 • 0 Comments

Animation always had close links with sound and music. Synchronism provides a means of rich formal experimentations. It is particularly striking in the field of the music video where the progression of the music itself often determines the progression, the…

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Sound and Music

Steamboat Willie: Playing Now and Forever at Disneyland’s Main Street Cinema

by William McCarthy • September 16, 2019 • 0 Comments

Steamboat Willie, the first fully synchronized animated film that also introduced Mickey and Minnie Mouse, was first publicly presented on November 18, 1928, at Universal’s Colony Theater in New York City. Unlike all other iterations of Disneyland around the world,…

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Sound and Music

The Brilliant Disparity of UPA Soundtracks

by Lisa Scoggin • September 9, 2019 • 0 Comments

Most people think of each classic commercial American animation studios as having their own distinctive sonic style. Warner Brothers had the postmodern, action-driven sound developed by Carl Stalling. MGM had the classically trained Scott Bradley pumping out modern, occasionally atonal…

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Conference report

The Essay Film Form and Animation: Intersectionality in Motion Conference

by Laura-Beth Cowley • September 2, 2019 • 0 Comments

Wednesday 12th and Thursday 13th June, Derek Jarman Lab The 2019 Essay Film Form and Animation: Intersectionality in Motion conference held in London last June was well attended. The conference was supported by the Arts University Bournemouth, the Society for…

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Jim Henson's Animated Universes

Some Thoughts on Animated Embodiment in “Muppet Babies: Play Date”

by Timothy Jones • July 23, 2019 • 5 Comments

Forty years after the release of The Muppet Movie (dir. James Frawley) in June 1979, it seems fitting to celebrate the lasting contribution of Jim Henson to puppet animation by considering the Muppet Babies: Play Date shorts on YouTube in…

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Asian Animation, Book Review

Bursting the Bounds of Chinese Animation and Scholarship

by Shannon Brownlee • July 15, 2019 • 0 Comments

Review of Daisy Yan Du. Animated Encounters: Transnational Movements of Chinese Animation 1940s-1970s. University of Hawai’i Press, 2019. Daisy Yan Du’s excellent Animated Encounters: Transnational Movements of Chinese Animation 1940s-1970s is essential reading for anyone interested in Chinese or Japanese…

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Jim Henson's Animated Universes

Labyrinth

by Tim Butler Garrett • July 8, 2019 • 0 Comments

Jim Henson’s 1986 production Labyrinth holds a special place in the Henson canon (as well as in the hearts of many children of the 1980s). Its inception came after one of the first critical misfires of Henson’s film career, the…

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European Animation, Jim Henson's Animated Universes

The French Reinterpretation of Jim Henson’s Muppet Universe

by Samuel Kaczorowski • July 1, 2019 • 1 Comment

After the end of World War II, in all the nations where television had a swift boom, puppets largely invaded the small screen to satisfy an increasingly younger audience eager for fantasy and adventure. While in the 1960s, live action…

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Asian Animation, Book Review

Changing Perspective(s) on Japanese Animation

by Marco Pellitteri • June 24, 2019 • 0 Comments

Review of Masao Yokota and Tze-yue G. Hu (eds.).  Japanese Animation: East Asian Perspectives. Jackson: University Press of Mississippi, 2013. This book was put together by a prominent clinical psychologist with a long experience in the psychological dimensions of animation…

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Early Animation

Pardon, My Mistake

by Giannalberto Bendazzi • June 10, 2019 • 2 Comments

I must correct a mistake that I made and widespread. On the 1996 Spring issue of Animation Journal I published an essay entitled The Italians Who Invented the Drawn-On-Film Technique. The brothers Bruno and Arnaldo Ginanni Corradini, from Ravenna, had…

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