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Animation and Robots

A Kiss of Death/Life: The Formation of Cyborg Subjectivity in Malice@Doll (2001)

by Ai-Ting Chung • August 6, 2018 • 7 Comments

In her 2005 book Cyborg Cinema and Contemporary Subjectivity Sue Short argues that “science and technology become the equivalent of magical totems equipped with the ability to transform entire worlds without the need for struggle”[1]. The dystopia of Konaka Chiaki’s…

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Animation and Robots

Free Robot! On the Law of Robotics and a Corresponding Glass Ceiling for Robotic Character Development

by Meike Uhrig • July 30, 2018 • 0 Comments

It can be argued that, while scientists may have more effectively recreated scientists, it is the artists who have come closest to understanding and capturing the essence of humanity (Bates 1994).   Robotics is on the rise. Trying to create emotionally…

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Animation and Robots

Social Robots and Cartoons

by Joao Paulo Schlittler • July 23, 2018 • 0 Comments

For the past five years I have been researching topics relating to the frontiers of animation: motion graphics, interface design, transmedia and most recently animation and machines (more specifically robots). What started as an attempt to conduct an investigation into…

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Animation and Robots

Time of Eve and the Posthuman Family

by Mihaela Mihailova • July 16, 2018 • 1 Comment

In 2007, a committee assembled by Japanese prime minister Shinzo Abe and chaired by Abe’s science adviser Kiyoshi Kurokawa drafted Innovation 25, a strategic proposal that promised to stimulate economic growth by 2025 by investing in various aspects of technological…

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Animation and Robots

Disney Animatronics and the Uncanny Valley: The Road Not Taken

by Daryl Boman • July 9, 2018 • 2 Comments

One of the most significant aspects of the Disney theme parks is the use of Walt Disney’s mechanical creations that continuously entertain in many, if not all, attractions. The history behind this inspiration is that, on his many vacations, Walt…

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Animation and Paratextuality, Stop Motion

The Narrative of the “Making-of”: Self-reflexive Narratives in Stop-motion Film Productions

by Vincenzo Maselli • June 26, 2018 • 2 Comments

In this post I examine the increasing trend of creating stop-motion films that metaphorically reveal the artificiality of the medium by exposing and dismantling the filmmaking process within the narrative. These are films that stage elements akin to a “making-of”,…

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Animation and Paratextuality, Documentary

Animated Opening Titles and Intertitles in German Newsreels of the 1950s and 1960s (West and East)

by Sigrun Lehnert • June 11, 2018 • 2 Comments

Starting in the first years of the 20th century with short documentary films,  newsreels have had a long tradition of being glued together as a program. Newsreels were produced by different film production companies. After 1930, the films were accompanied…

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Animation and Paratextuality

Music’s Role in the Opening Titles and End Credits of Animated Films

by Perrine Dumont • June 4, 2018 • 0 Comments

Both the opening titles and the end credits play a significant role in a movie. While the former allow the viewer to enter the film, the latter extend the viewer’s filmic experience. This is true for animated films as well.…

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Animation and Paratextuality

The Pixar Theory and Paratextuality

by Lisa Hill • May 28, 2018 • 0 Comments

In 2013 blogger Jon Negroni put forward ‘The Pixar Theory’: the concept that all Pixar movies exist in the same universe and can be organised into a single, cohesive timeline (see figure 1). The initial blog incorporates the 14 Pixar…

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Animation and Paratextuality, Women in Animation

Frozen (2013), Paratexts, and Female Solidarity in Disney’s Princess Films

by Catherine Lester • May 21, 2018 • 1 Comment

It would not be controversial to say that Disney’s historical record of representing women is complicated at best. It becomes even more complicated when we consider the Disney Princess franchise, a plethora of paratexts that arguably undermine any progressive readings…

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