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Early Animation

Out of the Cave: The Vaudeville Version of Winsor McCay’s Gertie (1914)

by Donald Crafton • October 1, 2018 • 5 Comments

Among the incunabula of animation cinema, perhaps no other work is as revered and well-known to scholars, students, and cartoon aficionados as Winsor McCay’s Gertie. Aside from the technical innovation, the astounding feat of producing thousands of nearly-identical handmade pen-and-ink…

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Early Animation, Women in Animation

Helena Smith Dayton: An Early Animation Pioneer Whose Films You Have Never Seen

by Jason Cody Douglass • September 24, 2018 • 3 Comments

In the final months of 1917, Helena Smith Dayton (1883–1960) released a one-reel production of Romeo and Juliet starring a cast of characters crafted entirely out of clay. Though identifiable now as a pioneering work of stop-motion animation, the film’s…

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Early Animation

Meditations on Metamorphosis: Natural History and Animation in Chomón’s Trick Films

by Colin Williamson • September 17, 2018 • 3 Comments

Animation is the medium that allows for a dramatization of a skirmish with nature. -Esther Leslie, “Animation and History”   In Segundo de Chomón’s Création de la Serpentine (1908), a sorcerer transforms a billowing piece of fabric into a woman…

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Book Review

Computer Worlds

by Sam Summers • September 10, 2018 • 1 Comment

Review of Christopher Holliday. The Computer-Animated Film. Industry, Style and Genre. Edinburgh: Edinburgh University Press, 2018.   The Computer-Animated Film is ambitious in its scope and comprehensive in its coverage, which alone would make a go-to text in the still-comparatively…

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Early Animation

Galileo, Sunspots and the Heretical Rotoscope of 1612

by Alison Reiko Loader • September 3, 2018 • 5 Comments

This post explores the use of the camera obscura as an Early Modern astronomical instrument and shows how that apparatus helped make sequential images of extraordinarily controversial cosmological significance centuries before chronophotography. What follows is the story of how, in…

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Animation and Robots

Interdisciplinary Approaches to the Research of the Illusion of Life

by Nea Ehrlich • August 13, 2018 • 2 Comments

I recently began a project that combines new media art with robotic design. It is a fascinating new direction for me and I was quite surprised to see the recurring mention of animation within the field I was venturing into.…

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Animation and Robots

A Kiss of Death/Life: The Formation of Cyborg Subjectivity in Malice@Doll (2001)

by Ai-Ting Chung • August 6, 2018 • 7 Comments

In her 2005 book Cyborg Cinema and Contemporary Subjectivity Sue Short argues that “science and technology become the equivalent of magical totems equipped with the ability to transform entire worlds without the need for struggle”[1]. The dystopia of Konaka Chiaki’s…

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Animation and Robots

Free Robot! On the Law of Robotics and a Corresponding Glass Ceiling for Robotic Character Development

by Meike Uhrig • July 30, 2018 • 0 Comments

It can be argued that, while scientists may have more effectively recreated scientists, it is the artists who have come closest to understanding and capturing the essence of humanity (Bates 1994).   Robotics is on the rise. Trying to create emotionally…

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Animation and Robots

Social Robots and Cartoons

by Joao Paulo Schlittler • July 23, 2018 • 0 Comments

For the past five years I have been researching topics relating to the frontiers of animation: motion graphics, interface design, transmedia and most recently animation and machines (more specifically robots). What started as an attempt to conduct an investigation into…

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Animation and Robots

Time of Eve and the Posthuman Family

by Mihaela Mihailova • July 16, 2018 • 1 Comment

In 2007, a committee assembled by Japanese prime minister Shinzo Abe and chaired by Abe’s science adviser Kiyoshi Kurokawa drafted Innovation 25, a strategic proposal that promised to stimulate economic growth by 2025 by investing in various aspects of technological…

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Header shows still from "On Our Way" by Ruth Hayes, with Artists permission".

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