animationstudies 2.0

Main menu

  • About
    • Submission and Publication Guidelines
  • Upcoming Themes
  • Permanent Call for Posts
  • Book reviews
  • Guidelines
  • Submit your work

Animation and Paratextuality

Music’s Role in the Opening Titles and End Credits of Animated Films

by Perrine Dumont • June 4, 2018 • 0 Comments

Both the opening titles and the end credits play a significant role in a movie. While the former allow the viewer to enter the film, the latter extend the viewer’s filmic experience. This is true for animated films as well.…

Read more →

Animation and Paratextuality

The Pixar Theory and Paratextuality

by Lisa Hill • May 28, 2018 • 0 Comments

In 2013 blogger Jon Negroni put forward ‘The Pixar Theory’: the concept that all Pixar movies exist in the same universe and can be organised into a single, cohesive timeline (see figure 1). The initial blog incorporates the 14 Pixar…

Read more →

Animation and Paratextuality, Women in Animation

Frozen (2013), Paratexts, and Female Solidarity in Disney’s Princess Films

by Catherine Lester • May 21, 2018 • 1 Comment

It would not be controversial to say that Disney’s historical record of representing women is complicated at best. It becomes even more complicated when we consider the Disney Princess franchise, a plethora of paratexts that arguably undermine any progressive readings…

Read more →

Advertising and Promotion, Animation and Paratextuality

Parrs and Paratexts: The ‘Themed’ Promotion of Incredibles 2 (2018)

by Christopher Holliday • May 14, 2018 • 2 Comments

Soon after the release of the 53-second teaser trailer for Pixar Animation Studios’ forthcoming Incredibles 2 (Brad Bird, 2018) – that premiered on November 18, 2017 and attracted 113 million views in its first 24 hours (becoming the most viewed…

Read more →

Asian Animation

Isao Takahata (1935-2018): A Towering Presence in Japan’s Postwar Animation

by Tze-yue G. Hu • May 7, 2018 • 1 Comment

My knowledge of the late Japanese animation director’s work dates to 1996, when his critically acclaimed animated film Grave of the Fireflies (1988) was first screened publicly in Singapore at the first Singapore Animation Fiesta, of which I was the…

Read more →

Asian Animation

Taiwan Bar, a YouTube Animation Series About Taiwan’s Histories

by Lien Fan Shen • April 30, 2018 • 16 Comments

Episode zero of the YouTube series Taiwan Bar (2014 – 2015), “Taiwan for Sale?” (Hauer, 2014), opens with a cute cartoon Formosan black bear sitting on a shelf with various kinds of drink bottles, while a lively voice-over says: Hello…

Read more →

Asian Animation

Marking of the Past: Original Feature-length Animated Films in the Philippines

by Love Cabrera Asis • April 23, 2018 • 0 Comments

Pinoy animation has been around for almost four decades now. Yet, to-date the industry has been able to produce only four original feature-length animated films. The first has been Ibong Adarna (Adarna: The Mythical Bird), created by Geirry Garcia along with…

Read more →

Asian Animation

Princess Iron Fan: Asia’s First Full-Length Animated Feature

by Pamela O'Brien • April 16, 2018 • 1 Comment

Created during the height of the Second Sino-Japanese War, Tiě shàn gōngzhǔ (Princess Iron Fan, 1941, by Wan Guchan and Wan Laiming) was the first full-length animated feature film made in China, as well as the first in Asia. Princess Iron…

Read more →

Asian Animation, Genre and Animation

Anime, or the Issue of Genre Classification with Transnational Audiences

by Louise Milsom • April 9, 2018 • 0 Comments

The purpose – but at the same time the problem – of genre classification is to instill ‘purity’ and order through categorization. Genre categories have defied easy definition as the borders intended to separate them are always shifting and expanding,…

Read more →

Asian Animation

Ni No Kuni: Wrath of the White Witch – Why Would Studio Ghibli Betray Miyazaki?

by Georgina Brown • April 2, 2018 • 1 Comment

‘I don’t like games. You’re robbing the precious time of children to be children.’ – Hayao Miyazaki   In 2008, whilst studio founder Hayao Miyazaki was otherwise occupied screenwriting Arrietty (Hiromasa Yonebayashi), other members of staff from Studio Ghibli – despite…

Read more →

Page 27 of 47
« 1 … 25 26 27 28 29 … 47 »

Previous themes

Header shows still from "On Our Way" by Ruth Hayes, with Artists permission".

Copyright © 2025 animationstudies 2.0. All Rights Reserved. Gridiculous created by c.bavota.