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Animation and Robots

Disney Animatronics and the Uncanny Valley: The Road Not Taken

by Daryl Boman • July 9, 2018 • 2 Comments

One of the most significant aspects of the Disney theme parks is the use of Walt Disney’s mechanical creations that continuously entertain in many, if not all, attractions. The history behind this inspiration is that, on his many vacations, Walt…

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Animation and Paratextuality, Stop Motion

The Narrative of the “Making-of”: Self-reflexive Narratives in Stop-motion Film Productions

by Vincenzo Maselli • June 26, 2018 • 2 Comments

In this post I examine the increasing trend of creating stop-motion films that metaphorically reveal the artificiality of the medium by exposing and dismantling the filmmaking process within the narrative. These are films that stage elements akin to a “making-of”,…

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Animation and Paratextuality, Documentary

Animated Opening Titles and Intertitles in German Newsreels of the 1950s and 1960s (West and East)

by Sigrun Lehnert • June 11, 2018 • 2 Comments

Starting in the first years of the 20th century with short documentary films,  newsreels have had a long tradition of being glued together as a program. Newsreels were produced by different film production companies. After 1930, the films were accompanied…

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Animation and Paratextuality

Music’s Role in the Opening Titles and End Credits of Animated Films

by Perrine Dumont • June 4, 2018 • 0 Comments

Both the opening titles and the end credits play a significant role in a movie. While the former allow the viewer to enter the film, the latter extend the viewer’s filmic experience. This is true for animated films as well.…

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Animation and Paratextuality

The Pixar Theory and Paratextuality

by Lisa Hill • May 28, 2018 • 0 Comments

In 2013 blogger Jon Negroni put forward ‘The Pixar Theory’: the concept that all Pixar movies exist in the same universe and can be organised into a single, cohesive timeline (see figure 1). The initial blog incorporates the 14 Pixar…

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Animation and Paratextuality, Women in Animation

Frozen (2013), Paratexts, and Female Solidarity in Disney’s Princess Films

by Catherine Lester • May 21, 2018 • 1 Comment

It would not be controversial to say that Disney’s historical record of representing women is complicated at best. It becomes even more complicated when we consider the Disney Princess franchise, a plethora of paratexts that arguably undermine any progressive readings…

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Advertising and Promotion, Animation and Paratextuality

Parrs and Paratexts: The ‘Themed’ Promotion of Incredibles 2 (2018)

by Christopher Holliday • May 14, 2018 • 2 Comments

Soon after the release of the 53-second teaser trailer for Pixar Animation Studios’ forthcoming Incredibles 2 (Brad Bird, 2018) – that premiered on November 18, 2017 and attracted 113 million views in its first 24 hours (becoming the most viewed…

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Asian Animation

Isao Takahata (1935-2018): A Towering Presence in Japan’s Postwar Animation

by Tze-yue G. Hu • May 7, 2018 • 1 Comment

My knowledge of the late Japanese animation director’s work dates to 1996, when his critically acclaimed animated film Grave of the Fireflies (1988) was first screened publicly in Singapore at the first Singapore Animation Fiesta, of which I was the…

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Asian Animation

Taiwan Bar, a YouTube Animation Series About Taiwan’s Histories

by Lien Fan Shen • April 30, 2018 • 16 Comments

Episode zero of the YouTube series Taiwan Bar (2014 – 2015), “Taiwan for Sale?” (Hauer, 2014), opens with a cute cartoon Formosan black bear sitting on a shelf with various kinds of drink bottles, while a lively voice-over says: Hello…

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Asian Animation

Marking of the Past: Original Feature-length Animated Films in the Philippines

by Love Cabrera Asis • April 23, 2018 • 0 Comments

Pinoy animation has been around for almost four decades now. Yet, to-date the industry has been able to produce only four original feature-length animated films. The first has been Ibong Adarna (Adarna: The Mythical Bird), created by Geirry Garcia along with…

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