Witnessing the outpouring of grief in the queer community after the death of David Bowie made me realize just how much he had meant to a generation and beyond in regards to giving people permission to explore their gender identity,…
Animation & the Comic Book
Conveying Time and Movement within the Comic Book and the Animated Frame
by Craig Smith • November 28, 2016 • 3 Comments
The early twentieth century bore witness not only to the emergence of the ‘standalone’ printed comic book, but also to the birth of the animated film. In many ways, comics have often been associated with their moving image counterparts, as…
Animation & the Comic Book
Sin City: When Comics and Film Collide
by Veronique Sina • November 21, 2016 • 4 Comments
In general, comic book to film adaptations may be defined as adaptations of drawn comic strips and comic book series for the medium of film (Marschall 2002: 103). As this definition implies, there are two basic aspects that seem to…
Animation & the Comic Book, Documentary
Deterrent Versus Disclosure: The ‘No Way’ Campaign Comic and Nowhere Line: Voices from Manus Island
by Nina Mickwitz • November 14, 2016 • 0 Comments
Lukas Schrank’s animated short, Nowhere Line: Voices from Manus Island (2015), uses recorded mobile phone conversations as both source and sound track, to tell the stories of two detainees in one of the Australian government’s notorious offshore refugee camps. This…
Documentary
This Is Your Life, Donald Duck and the Early Mockumentary
by Cristina Formenti • November 7, 2016 • 0 Comments
Undeniably, the most popular way of intersecting animation and documentary is that of using animation to recount a factual occurrence. Yet, this is not the only possible manner in which they can combine. Another way of crossing them over consists in…
Documentary
Dialoguing on the Refusal of the Indexical (Part 2)
by Kelly Sears • October 31, 2016 • 0 Comments
Featured in this interview is Tara Knight’s animated, episodic, documentary series of short films, Mikumentary, about the singing, dancing, and collaboratively-created hologram Hatsune Miku. Through fragmented storytelling and animation that responds to Miku as a reconfigurable subject, Knight creates a modular…
Documentary
Dialoguing on the Refusal of the Indexical (Part 1)
by Tara Knight • October 24, 2016 • 0 Comments
To many “animated documentary” sounds like an oxymoron: the genre inherently refuses indexical understandings of “the real” as purported, and highly debated, within photographic documentary practices. Similarly, it is accepted that historical, archival, or found footage imagery may stand in…
Documentary
Animating Autism
by Ruth Richards • October 17, 2016 • 4 Comments
In 2015, Griffith Film School’s LiveLab collaborated with Gold Coast Health and Sentis to produce an animated short on autism. Released online in 2016, Ky’s Story – Living with Autism aims to raise awareness about autism through the story of Ky…
Documentary
Ethics, Aesthetics and Memory: Animation in 30 años de oscuridad
by Abigail Loxham • October 13, 2016 • 0 Comments
Spain is suffering from a crisis of memory and, although there is little consensus as to whether this crisis is one of too much remembrance or too little, what cannot be avoided is the prevalence of the topic in screen…
Documentary
He Named Me Malala: A Producer’s Tale
by Irene Kotlarz • October 10, 2016 • 1 Comment
Producing animation for a live action documentary involves many practical and logistical challenges. Put plainly, live action documentary filmmakers don’t always understand how animation works, and vice versa, and the production methods are vastly different. In this post I will…